Artists. Performers. Teachers.
Department of Music faculty are active artist/teachers who exemplify extraordinary teaching in classrooms, studios, rehearsal halls and performance venues. Faculty members work daily with students in classes, rehearsals, seminars and lessons. Our full-time faculty members are augmented by practicing professionals drawn from the deep pool of talent in the St. Louis area.
Meet our Faculty
Carla Colletti, PhD
Professor of Music, Department Chair, Director of Music Theory
Professor of Music
Department Chair
Director of Music Theory
Music theory, musicianship
Carla R. Colletti, PhD, is Professor of Music, Department Chair and Director of Music Theory at Webster University in St. Louis. As an educator and scholar, Colletti’s interests focus on the scholarship of teaching and learning and how to empower students to own their education, both in the classroom and outside of it. Current projects include teaching students to ask better questions, emphasizing growth mindset characteristics and goal setting in the music theory classroom, and assessing student learning in meaningful ways. She has shared her research at local, regional, and national conferences including the Association of American Colleges and Universities General Education and Assessment Conference. Her work is also available in Engaging Students: Essays in Music Pedagogy and Journal of Music Theory Pedagogy.
Colletti’s additional research interests include the music of Francis Poulenc; connections between music, literature, and art; film music; and nineteenth-century chromaticism. Her dissertation, An Interdisciplinary Approach to Selected Works by Francis Poulenc, explores how methods of inquiry derived from surrealism are applicable to three works by Francis Poulenc. She also served as Assistant Editor for The Cambridge Verdi Encyclopedia, published in 2014.
Colletti also remains active as an oboist, and she has performed with a variety of ensembles in the St. Louis area and beyond. Outside of music, she enjoys exercising, spending time with her family, and watching Masterpiece Mystery on PBS.
Colletti holds a PhD in Music Theory from the University of Iowa, an MA in Music Performance and Composition from Western Illinois University, and a BM in Music Performance from Millikin University. Prior to joining the Webster faculty, she was on faculty at the Oberlin Conservatory of Music.
Jeffrey Carter, DMA
Professor of Music, Director of Music Direction for Musical Theatre
Professor of Music
Director of Music Direction for Musical Theatre
Voice, music theory, musical direction for musical theatre
Jeffrey Richard Carter is Professor in the Department of Music at Webster University in Saint Louis, Missouri, where he was Chair of the department for thirteen years until 2021. He was for four years music director and composer for Circus Harmony, Saint Louis’ only social circus organization. His true loves are (in no particular order) musical theatre, the Episcopal Church, dogs, cooking, travel and helping others unlock their singing voice.
Carter is a native Missourian, with family ties to the Kansas City area and a long history of being a student, teacher, and conductor in that area.
His career as an educator includes performance tours to China and the UK; leadership of all-state performance ensembles in Missouri and Alabama, and of all-district choirs in Alaska, Indiana, Missouri and Illinois; award-winning music direction for various Saint Louis theatre companies; choral performances at state and regional conferences; and leadership of the Variety Children’s Chorus in Saint Louis, a chorus for students with special needs.
The Governor of the National Association of Teachers of Singing Central Region, Carter previously served the Kansas City chapter for several years as treasurer, and the Central Region in support roles at previous regional conferences. He presented an interest session at the Iowa City conference, and regularly adjudicates at NATS events, where his students have gained top marks at local, state, and regional events.
Carter has performed professionally with the Lyric Opera of Kansas City, Kansas City Chorale, The Bach Society of Saint Louis, the Cathedral Basilica of Saint Louis and the St. Louis Symphony Chorus. He has composed music for and performed internationally with the Choir of Mixed Voices at Grace & Holy Trinity Episcopal Cathedral (Kansas City). Carter was a founding board member of the Simon Carrington Chamber Singers, Inc.
From 2005–2010, Carter was the national chairman of the Youth and Student Activities Repertoire and Standards Committee for the American Choral Directors Association. He also served on the board of the Conductors Guild, Inc. Carter was Artistic Director for the 2010 Saint Louis International Choral Festival.
He is the 2012 Distinguished Alumnus for the University of Central Missouri Department of Music, and a 2014 inductee into the Lee’s Summit High School Hall of Fame. He is immediate past-President of the Missouri Association of Departments and Schools of Music. He currently serves the National Association of Schools of Music as a visiting evaluator.
Carter is especially proud that his students have held and continue to hold prominent positions in such various places as the male ensemble Chanticleer, on Broadway and in national tours, and on various college and university faculties.
At Webster University since 2008, he was previously Associate Professor and Associate Director of the School of Music at Ball State University. Prior to the year 2000, Carter’s previous academic engagements (teaching voice and choir) include Kentucky Wesleyan College, the University of Kansas, Graceland University in Iowa, the University of Central Missouri, the Metropolitan Community Colleges in Kansas City, and Music/Arts Institute, a community school for the arts in Independence, Missouri.
A recipient of the inaugural Opus Award from the Missouri Choral Directors Association for his composition “Phos Hilaron,” Carter remains an active composer, with recent commissions from choirs from Kansas City to New York City. His “Storypeople Songs” for voice and piano premiered in 2015.
As a choral conductor, Carter was Artistic Director of the Gateway Men’s Chorus of Saint Louis for three seasons through 2011. He led the chorus in artistic renewal, audience and budget growth, and a stronger place in the community. Two CD recordings from Dr. Carter’s tenure — I want to fly and Love Changes Everything — are available in iTunes.
He holds the Doctor of Musical Arts degree in Choral Conducting from the University of Kansas, and the Master of Arts degree in Vocal Performance from the University of Central Missouri, with additional graduate study in CCM technique at Shenandoah Conservatory.
Carter lives near Forest Park in Saint Louis, with his Westie companion, Maisie.
WEBSTER TODAY articles
- Elected Governor of NATS, Central Region
- Circus Harmony
- Carter performances in England
- 2015 RFT Honors
Connect with Dr. Carter
Listen to Carter's interview about musical direction for musical theatre.
Watch the Gateway Men's Chorus under Dr. Carter's direction.
Watch Carter conduct the Ball State University Chamber Choir.
Listen to the premiere performance of Dr. Carter's Where Angels Sing.
Listen to Carter lead a performance of There Will Be Rest by Frank Ticheli.
Watch Carter conduct the Alabama All-State Men's Choir in 2008.
Listen to Dr. Carter (baritone) and David White (tenor) sing Lily's Eyes.
Paul Davis, DMA
Associate Professor of Music, Director of Instrumental Studies
Associate Professor of Music
Director of Instrumental Studies
Conducting, music literature, instrumental studies
Paul G. Davis comes to the podium with an extensive professional background that spans both the classical and jazz idioms in conducting, performance and teaching.
As a conductor and clinician, his musical activities have taken him throughout the United States, Canada and Europe, including numerous Regional and All-State concerts and a highly acclaimed concert with the Grand Orchestre d'Harmonie des Guides of Brussels, Belgium. Davis holds the Doctor of Musical Arts degree in Conducting from the University of Texas at Austin.
Prior to his appointment at Webster, Davis served as a member of the conducting faculties at the University of Alabama School of Music, the Petrie School of Music at Converse College in South Carolina, Kennesaw State University in Atlanta, Georgia and at Rhodes College in Memphis, Tennessee. He has conducted celebrated performances of the Huxford Symphony Orchestra, OperAlaBama, the Alabama Wind Ensemble and the Alabama Chamber Winds, as well as being Founder and Music Director of the Rhodes Chamber Players in Memphis.
As a supporter of new music, he led a commissioning project to produce Donald Grantham's From "An Alabama Songbook," and recently collaborated with Ballet Memphis in a full stage production of Michael Whalen's Shadows of October. His diverse experience as a performer ranges from appearances with the Memphis Symphony to the Amy Grant NBC Christmas telecast and includes the Spokane Symphony Orchestra and the Montana Summer Symphony.
In his capacity as conductor and performer, he has worked with such artists as Awadagin Pratt, Sandra Wolf-Meei Cameron, Byron Stripling, Kevin Mahogany, Bob Mintzer of the Yellowjackets, Doc Severinsen, Maynard Ferguson and Ernie Watts. Other conducting activities include work with Fred Mills of the Canadian Brass, the Dallas Wind Symphony, the Empire Brass and the Monarch Brass.
Davis also serves as conductor of the Forte Chamber Orchestra of St. Louis. He was conductor of the 2019 St. Louis Metro 8 Orchestra, and the 2021 Florida All-State Orchestra.
Nina Ferrigno
Visiting Assistant Professor of Music, Director of Keyboard Studies and Chamber Music
Visiting Assistant Professor of Music
Director of Keyboard Studies and Chamber Music
Piano
Nina Ferrigno, described by the St. Louis Post Dispatch as "a magnificent pianist," is a collaborative artist at home in a multitude of diverse musical settings. Her playing is said to be, “... always precise with superb accentuation and warmth of feeling.” She is a founding member of the Boston-based Calyx Piano Trio and has appeared in major concert venues throughout North America. She has appeared as soloist with the St. Louis Symphony Orchestra, Boston Modern Orchestra Project, the Boston Pops and the Tanglewood Music Center orchestra. Her collaborative large ensemble appearances include those as principal keyboardist with the St. Louis Symphony Orchestra, Boston Symphony Orchestra, Boston Pops, Chicago Symphony Orchestra and the Boston Modern Orchestra Project.
Her recent festival appearances include those at Tanglewood, where the Calyx Piano Trio performed “Tones of Clay,” a newly commissioned work written for them by James Lee III, and Summerfest (KC) performing music of Kenji Bunch. She has appeared at Banff, Norfolk, and the Skaneateles Festival and regularly appears at the Carolina Chamber Music Festival, and Missouri Chamber Music Festival – the St. Louis Festival, where she currently serves as director and that she co-founded in 2010. Ferrigno frequently collaborates with Chamber Project St. Louis. She appears frequently on the St. Louis Symphony Orchestra’s Live at the Pulitzer series, and the Boston Symphony Orchestra’s Prelude and Community Chamber Concert series.
Ferrigno is a graduate of New England Conservatory of Music, where she received degrees with distinction in performance. She is committed to bringing classical music to new audiences and expanding the repertoire through commissioning and working with living composers to perform new works in a variety of settings. Recent commissions include those of James Lee III, Christopher Stark, Derek Bermel, Amy Beth Kirsten and Peter Askim. The New Music Connoisseur has said of her, “pianist Nina Ferrigno [brings] out the inherent horizontal logic ... all the while imparting sonic beauty from end to end.” Her discography includes chamber music of Lansing McLoskey on Albany Records, Bernard Rands “Canti Triology” on Arsis Audio and a recent release on Bridge Records of “This is Not a Story” by Christopher Stark which garnered “... special mention to pianist Nina Ferrigno who can jazz it up or summon a pianissimo of the quietist order." [JWR] Her 2010 recording of Elliott Schwartz’s Chamber Concerto III: Another View for the BMOP Sound label was described as “wonderfully musical” by Fanfare magazine. Ferrigno is on the teaching faculty of Washington University and Webster University, and lives in St. Louis with her two musical children.
Jacob Lassetter, DMA
Professor of Music, Associate Chair for Recruiting and Events Management, Director of Vocal Studies and Opera Studio
Professor of Music
Associate Chair for Recruiting and Events Management
Director of Vocal Studies and Opera Studio
Voice
With his powerful voice and commanding stage presence, baritone Jacob Lassetter enjoys an exciting and vibrant career on both the operatic and concert stage. Critics have praised his dignified characterizations, his soaring high range, and his deep, rich tone quality. His voice students frequently attend prestigious graduate schools such as the University of Cincinnati College-Conservatory of Music, the Manhattan School of Music, the University of Michigan, the University of North Texas, Boston University and the University of Minnesota. His students have become apprentice artists at Opera Theatre of Saint Louis, Sarasota Opera, Des Moines Metro Opera, and the Bach Society of Saint Louis, have sung small roles and chorus at Cincinnati Opera, Union Avenue Opera, Winter Opera St. Louis, and Mill City Opera, and have sung in various theatre productions on Broadway, in national tours and at regional theatres.
This season Lassetter sings the title role in “Rigoletto” with The Druid City Opera, the title role in “Don Giovanni” with Winter Opera St. Louis, Osmin in “The Billy Goats Gruff” with Opera Edwardsville, an aria concert and residency with Southern Illinois University, a recital of British Art Songs at Webster University and Dubois’ “The Seven Last Words of Christ” with Manchester United Methodist Church.
Last season Lassetter sang Tonio in “I pagliacci” with Painted Sky Opera, Ford in “Falstaff” with Union Avenue Opera, Enrico in “Lucia di Lammermoor” with The Druid City Opera, Vodnik in “Rusalka” with Heartland Opera Theatre, Rambaldo in “La rondine” and Ali Ben Ali in “The Desert Song” with Winter Opera St. Louis, Papa in “Goldie B. Locks” with Opera Edwardsville, “Messiah” with Greenville University and Britten’s “Cantata misericordium” with Webster University.
2021–2022 was a season of Scarpia for Lassetter, with performances at The Druid City Opera, Mobile Opera and Marble City Opera, as well as covering the role with Anchorage Opera. In 2021–2022 he also sang Sharpless in “Madama Butterfly” with Painted Sky Opera, Dr. Falke in “Die Fledermaus” with Connecticut Lyric Opera, Schubert’s “Mass in G” in Festus, Missouri, a season preview concert with Union Avenue Opera and a solo recital at Webster University.
In the 2020–2021 season Lassetter sang benefit concerts for both Winter Opera St. Louis and Union Avenue Opera. He was scheduled to sing the title role in “Der fliegende Holländer” with Mid-Ohio Civic Opera, as well as a return to Italy for performances of the title role in “Elijah,” Mozart’s “Mass in C Minor” and various other concerts. These engagements were all unfortunately cancelled due to COVID-19.
In the 2019–2020 season Lassetter sang Sonora in “La fanciulla del West” with Winter Opera St. Louis, and both Schubert’s “Winterreise” and Argento’s “The Andrée Expedition” in recital. In the 2018–2019 season he sang Dr. Falke in “Die Fledermaus” with Winter Opera St. Louis, “Carmina Burana” with the Washington University Symphony Orchestra, Verdi’s “Requiem” and “A Symphony of Toys” with The Missouri Symphony, Dick Deadeye in “H.M.S. Pinafore” and Il Gran Sacerdote in “Nabucco” with Union Avenue Opera, and a series of three recitals with St. Louis Art Song.
Opera audiences have recently seen Lassetter as Sharpless in “Madama Butterfly” with Annapolis Opera, Wolfram in “Tannhäuser” with Apotheosis Opera (New York City,) Peter in “Hänsel und Gretel” with Union Avenue Opera and Rodrigo in the world premiere of “Borgia Infami ”with Winter Opera St. Louis. Concert performances include Schubert’s “Mass in A-Flat” at Carnegie Hall, Mendelssohn’s “Elijah” in Robbiate, Italy, Beethoven’s Symphony no. 9 at the University of Wisconsin–Stevens Point, Haydn’s “Lord Nelson Mass” with the Bach Chamber Players of Saint Paul, Bach’s “Mass in B Minor” with the Rochester Choral Arts Ensemble and a recital on the Shepley Concert Series at Christ Church Cathedral (St. Louis.)
Lassetter’s additional operatic credits include Germont in “La traviata” (including his Italian debut in Castelfranco Veneto,) Michele in “Il tabarro,” the title role in “Le nozze di Figaro,” Horace Tabor in “The Ballad of Baby Doe,” Don Alfonso in “Cosi fan tutte” and Griswold in Argento’s “The Voyage of Edgar Allan Poe.” Other concert credits include Walton’s “Belshazzar’s Feast,” Mozart’s “Requiem,” Handel’s “Messiah,” and Bach’s “St. John Passion” and “St. Matthew Passion.” He has earned critical acclaim for Orff’s “Carmina Burana,” including a performance at Orchestra Hall in Chicago, where he also sang Fauré’s “Requiem.” A frequent recitalist, he made his debut at New York City’s Carnegie Hall in 2008 alongside his wife, soprano Karen Kanakis.
Lassetter has been a Finalist in the National Opera Association Vocal Competition, a Semi-finalist in the Marguerite McCammon Voice Competition, a Regional Finalist in the National Association of Teachers of Singing Artist Award Competition, and received the Encouragement Award from the Southern Ohio District of The Metropolitan Opera National Council Auditions. He is an alumnus of the Young Artist Programs of Chautauqua Opera, Des Moines Metro Opera and Utah Festival Opera.
Lassetter holds a Bachelor of Music degree, magna cum laude, from Louisiana State University, the Master of Music degree from The University of North Texas and the Doctor of Musical Arts from the University of Cincinnati College-Conservatory of Music. He has served on the faculties of Luther College, the University of Cincinnati College-Conservatory of Music, The University of North Texas, Lutheran Summer Music, Union Avenue Opera’s “Crescendo” program, and the Bassi Brugnatelli International Conducting and Singing Symposium. He currently serves as Professor of Voice, Director of Vocal Studies and Opera Studio, and Associate Chair for the Department of Music at Webster University in St. Louis, Missouri.
Trent Patterson, DMA
Associate Professor of Music, Director of Choral Studies
Associate Professor of Music
Director of Choral Studies
Conducting, music literature, choral studies, music education
In a career spanning twenty-five years, Trent A. Patterson has conducted university, public school, church and community choruses in Missouri, Florida, Michigan, California and Iowa. Known for his knowledge of the choral repertoire and performance practice, choruses under Patterson’s direction have been praised for their stylistic diversity and eclectic programming.
Since 2010, Patterson has garnered national recognition for the choral program at Webster University as a conductor, teacher and mentor of undergraduate and graduate students. Under his direction, the Chamber Singers, Webster’s signature choir, has performed for state, regional and national peer reviewed conferences and appeared on tour in Arkansas, Florida, Illinois, Kansas, Missouri, Oklahoma and Tennessee. Highlight past performances include J.S. Bach’s Cantata #131, Copland’s In the Beginning and Vaughan Williams’ Serenade to Music. They have collaborated with ensembles including Boston Camerata and the Bach Society of Saint Louis and sung backup for artists such as the Eagles and Josh Groban. Multi-media projects include a YouTube channel, live album and a choral pedagogy DVD. Chamber Singers has formidably served as an incubator for Webster University student conductors and composers.
Patterson has prepared choruses for performance with the St. Louis Symphony Orchestra, Metropolitan Orchestra of Saint Louis and the Webster University Orchestra. In January 2023, he was appointed Guest Director of the St. Louis Symphony Chorus to prepare Felix Mendelssohn’s The First Walpurgis Night for two performances under Nic McGegan. In July 2023, he completed a ten-week sabbatical replacement as Choirmaster at St. Peter’s Episcopal Church. He is a frequent choral workshop clinician and adjudicator. Passionate about training the next generation of choral conductors and ensemble singers, his former students have received notable recognition, including first place in the Southwestern American Choral Directors Association undergraduate conducting competition, Assistant Conductor of the Bach Society of Saint Louis, an ensemble director position with The St. Louis Children’s Choirs, and a guest conducting appearance in New York’s Carnegie Hall in which the performance was “delivered with infectious spirit.” Many former students are pursuing advanced degrees in music.
As a collaborative pianist, Patterson has performed across the United States and abroad. He has served as an opera répétiteur at the American Institute of Musical Studies in Graz, Austria where he studied vocal accompanying and German Lieder as a Fisher-Tye Fellow. Recent projects as pianist include Schumann’s Dichterliebe and Schubert’s Die Schöne Müllerin with tenor James Stevens in St. Louis and a cabaret with soprano Caitlyn Glennon in Chicago.
As a student, Patterson was privileged to study with some of America’s most prominent choral conductors and pedagogues: André J. Thomas at The Florida State University (BME), Charlene Archibeque at San José State University (MA), David Rayl, Jonathan Reed, and Sandra Snow at Michigan State University where he received the Doctor of Musical Arts degree in choral conducting.
Patterson resides in the City of St. Louis and is proud to be a member of the St. Louis Symphony Chorus.
Kim Portnoy, MA
Associate Professor of Music, Director of Composition
Associate Professor of Music
Director of Composition
Composition, orchestration, jazz studies
Kim Portnoy received the Bachelor's and Masters degrees in Composition from Washington University.
Portnoy teaches classes in jazz theory, composition, and orchestration. He performs with the Webster Faculty Jazz Ensemble and frequently as a pianist with his own trio and big band.
He is recognized as a versatile composer in classical and jazz idioms. He has received commissions from numerous institutions, including the Arts & Education Council, the McDonnell Planetarium, Temple Emanuel, the Parkway School District, Trinity Episcopal Church, and the Missouri Arts Council. The St. Louis Children's Choirs, The Jacksonville Symphony Orchestra, the Florida Space Coast Philharmonic, and others have performed his compositions and arrangements. His composition, most this amazing day, ten songs on texts by e. e. cummings was performed by the Webster Jazz Singers at the 2000 International Association of Jazz Educators Convention in New Orleans. The Webster University Symphony Orchestra recently premiered Bluework, a concerto for piano and orchestra with pianist Carolbeth True as soloist.
Portnoy has also appeared on recordings including “The Keys to the City” by Jay Hungerford and “All in Good Time” with Asa Harris. One of Portnoy's songs, sitting in a tree, can be heard on singer Christine Hitt's album You'd Be So Nice To Come Home To. The album Wash Away the Dust of Everyday Life, released in 1998, features the Kim Portnoy Jazz Orchestra performing his works.
A compact disc recorded by Portnoy's trio, Brand New Day, was issued in 2004.
David Werfelmann, DMA
Associate Professor of Music, Associate Chair for Curriculum and Assessment, Director of Bachelor of Arts in Music
Associate Professor of Music
Associate Chair for Curriculum and Assessment
Director of Bachelor of Arts in Music
Music theory, music composition
David Werfelmann is an award-winning American composer of instrumental, vocal, and electronic music whose works are widely performed and recorded by ensembles and soloists throughout the United States. His orchestral music has been performed by the Milwaukee Symphony Orchestra as well as the major orchestras of the USC Thornton School of Music, IU Jacobs School of Music, and the Lawrence University Conservatory of Music. David’s Arclight Alley, commissioned and premiered by the Lawrence University Wind Ensemble, has also been performed by the wind ensembles of USC Thornton School of Music, CSU Stanislaus, and the SCSBOA Honors Band. Among the many saxophone quartets that perform his work Hypercolor are the Zzyzx, Red Rock, Lawrence University, and Georgia Southern University Quartets, as well as the Fischoff Award-winning Barkada Saxophone Quartet.
Werfelmann’s music is heard frequently at conferences, festivals, and recitals around the United States and Europe, including the NOW HEAR Festival, NACUSA and SCI conferences, North American Saxophone Alliance conferences, the Society of Electroacoustic Music in the United States convention, the CSU Fullerton New Music Festival, the Berkeley Arts Festival, the Navy Band International Saxophone Symposium, the Los Angeles Composers Project, the Zeltsman Marimba Festival, the Institute for European Studies in Vienna, and at concerts in Bologna and Ravenna, Italy. Among the many honors David’s works have received, his orchestral work The Mad Machine won the BMI Student Composer Award in 2011.
Werfelmann has received commissions from the Wisconsin Music Teachers Association, saxophonists Kim Reese, Sara Kind, Andrew Harrison, and Alex Sellers, pianist Rafael Liebich, Slipstream, the HOCKET piano duo, the Hear Now Ensemble, and recently a consortium of college wind ensembles in the US. his works have been professionally recorded by the Lawrence University Wind Ensemble, the Now Hear Ensemble, the Barkada Quartet, and Slipstream. Additionally, his works have been broadcasted by the public radio stations of Los Angeles (KUSC), Wisconsin (WPR), and New York (WCNY), and by the online radio station Kinetics Radio.
Originally, from Portland, Oregon, Werfelmann has received degrees from USC (DMA), Indiana University (MM), and Lawrence University (BM). In addition to writing music, he is a percussionist and committed educator having held teaching positions at the Lawrence University Conservatory of Music and USC Thornton School of Music. He is currently Assistant Professor of Music and Director of the BA in Music Program at Webster University in St. Louis.
Links to performances and scores of Dr. Werfelmann
Suite à l'antique for solo piano
Suite à l'antique score
Hypercolor for saxophone quartet
Hypercolor score
WEBSTER TODAY articles
Bennett Wood, DMA
Visiting Assistant Professor of Music, Director of Jazz Studies
Visiting Assistant Professor of Music
Director of Jazz Studies
Jazz studies, jazz performance, saxophone
Bennett Wood is a saxophonist, composer and clinician. He is an experienced bandleader and an in-demand sideman. In addition to leading his own groups performing original works at nationally recognized venues, including Crosstown Arts, the Elephant Room and Jazz St. Louis, Wood has performed alongside nationally and internationally acclaimed musicians including Nat Adderley Jr., Willie Akins, Ralph Bowen, Chris Cheek, Montez Coleman, Alan Ferber, Keyon Harrold, Andre Hayward, Alphonso Horne, Sara Jacovino, Sean Jones, Doug Lawrence, Butch Miles, Allison Miller, Greg Osby, Bruce Saunders, Reggie Thomas and Isaiah Thompson. He has performed at festivals and venues across the country and remains active as a freelance musician, regularly performing more than one-hundred dates per year.
Prior to joining the faculty at Webster University, Wood served as the Interim Director of Education and Community Engagement at Jazz St. Louis. He previously held professional academic appointments at the University of Memphis, Mineral Area College, Texas State University, Texas Lutheran University and Texas A&M University-Kingsville. Wood is an accomplished researcher and lecturer, having recently presented at the Missouri Music Educators Association Conference and the Jazz Education Network. He is active as an adjudicator, including recent judging for the North American Saxophone Alliance, Illinois Music Educators Association and the University of Missouri Jazz Festival.
Wood earned a Doctorate of Musical Arts from the University of Texas at Austin in 2014. He holds Bachelor of Music and Master of Music degrees from Southern Illinois University Edwardsville.
Faculty by Discipline
Kim Portnoy
Associate Professor and Director of Composition
David Werfelmann
Associate Professor and Director of Bachelor of Arts in Music
Melissa Bishop, songwriting
Adjunct Professor of Music Theory
Melissa Bishop received a Bachelor of Music in Composition from Webster University where she studied with Bob Chamberlin and Kim Portnoy. She received her Master of Music in Theory and Composition at Kansas State University where she studied with Hanley Jackson. Since 2002, her duties at Webster have included teaching varying levels of Theory and Musicianship, as well as songwriting. She currently serves as the director for School of the Arts in St. Louis County and writes for Six Hour Drive Publishing, a subsidiary of Brentwood-Benson Music Publishing. Her first cut was in the country market for an independent label entitled, “Wishing You Were Home.” She has had continued success in the Christian market in various genres, including CCM/AC, Southern Gospel and print.
Michael Engelhardt
Adjunct Professor of Music
Michael Engelhardt is a songwriter, vocalist and producer on a mission to make a positive impact on people’s lives. His work has been featured on ABC, NBC, PBS and NPR broadcasts, the Carnegie Hall stage, and national conferences of the American Choral Directors Association, the National Association for Music Education, and the Jazz Education Network. He has numerous choral works published by Walton Music (GIA) and Hinshaw Music in addition to his self-published catalog.
In the pop music field, he has arranged and/or performed backing vocals for such artists as O.A.R., Ben Folds, Take 6, Kansas, Patti Austin and locally for St. Louis artists Brian Owens and Malena Smith. Engelhardt is currently the director of the Webster University Jazz Singers and he also teaches coursework in the Songwriting track.
Paul G. Davis
Associate Professor and Director of Instrumental Studies
Jacob Lassetter
Professor and Director of Vocal Studies and Opera Studio
Trent Patterson
Associate Professor and Director of Choral Studies
Bennett Wood
Visiting Assistant Professor and Director of Jazz Studies
Duane Bridges, New Music Ensemble
Adjunct Professor of Music Composition
Duane Bridges is an adjunct professor of music at Webster University where he directs the New Music Ensemble. He is also the director of the instrumental program at Nerinx Hall High School in St. Louis where, in addition to directing the orchestra, he teaches courses in music theory, music composition and humanities. From 2014-2016 he worked as coordinator, director and coach for Alarm Will Sound's Music Today program with the Community Music School of Webster University. For over 25 years he has been organist and music director at St. Thomas Episcopal Church in Glen Carbon, Illinois.
He holds a BM and MM in Music Composition from Webster University. He has composed music in a variety of idioms, including instrumental and vocal music, experimental music, electronic music, ambient music, film scores and much more. He is a frequent performer of his own music. His music is equally at home in the concert hall or art gallery as it is in the garden. Recent performances and works have utilized plants as collaborators in musical creation. This work was featured in St. Louis Magazine in 2017. Recent works, including Plant Music, Three Songs from The Imaginary World, Lasst Uns Erfreuen, and Four Sound Poems for Synthesizer Quartet have been performed at Flood Plain Gallery, Granite City Art and Design District, Gaslight Studio, and at Webster University. Bridges also maintains a small record label, Dulad Music Curators, specializing in recordings of his own compositions in addition to other musical projects.
Michael Engelhardt, Webster Jazz Singers
Adjunct Professor of Music
Michael Engelhardt is a songwriter, vocalist and producer on a mission to make a positive impact on people’s lives. His work has been featured on ABC, NBC, PBS and NPR broadcasts, the Carnegie Hall stage, and national conferences of the American Choral Directors Association, the National Association for Music Education, and the Jazz Education Network. He has numerous choral works published by Walton Music (GIA) and Hinshaw Music in addition to his self-published catalog.
In the pop music field, he has arranged and/or performed backing vocals for such artists as O.A.R., Ben Folds, Take 6, Kansas, Patti Austin and locally for St. Louis artists Brian Owens and Malena Smith. Engelhardt is currently the director of the Webster University Jazz Singers and he also teaches coursework in the Songwriting track.
Beth Enloe Fritz, Aurelia
Adjunct Professor of Music
Beth Enloe Fritz is an alum of Webster University and earned a Master of Music in Jazz (emphasis: vocal jazz arranging) in 2005. She is now retired, after teaching for 31 years, having taught every grade from K-12 in subjects including general music, guitar, other individual instruments and band. In addition, for 25 years at the high school level, she taught students in AP Music Theory, choral music and vocal jazz. As an active member of the Missouri Choral Directors Association, she was the All-State Vocal Jazz Ensemble coordinator for nine years and is now serving the Southwestern Region of the American Choral Directors Association as the Jazz Resource Chair. Currently, she is the assistant director for the St. Louis Symphony Orchestra’s IN UNISON Chorus.
Tom Hart, Chorale & Chamber Singers
Adjunct Professor of Music
Paul G. Davis
Associate Professor and Director of Instrumental Studies
Trent Patterson
Associate Professor and Director of Choral Studies
Erin Elstner, percussion methods
Adjunct Professor of Percussion
Erin Elstner, conductor, is an experienced percussion and drum set instructor who is currently the head of the Webster University percussion department. She teaches with both the Webster University Department of Music and the Community Music School. Elstner is the conductor of both the CMS Percussion Ensemble and the Webster University Percussion Ensemble. She received her BM in Percussion Performance at Mannes College of Music in New York (The New School University) and her Music Education certification from the University of Missouri-St. Louis where she graduated summa cum laude. She has taught at the St. Louis Symphony Community Music School, the Third Street Music Settlement in Manhattan and Carnegie Hall in New York City, the Taichung School of Arts and Music in Taiwan, The Strike Institute and The Erin Elstner Percussion Studio. Elstner is also an active adjudicator and clinician in both Missouri and Illinois and has toured Europe with the Missouri Ambassadors of Music.
As a freelance performer, Elstner’s numerous performance achievements include playing drums and percussion for the International Women’s Brass Conference, the Joffrey Ballet, Cabaret at the Repertory Theater of St. Louis, Company at the Edison Theater at Washington University, percussion with Peter Cetera of Chicago, the Grateful Dead reunion tour at the Fox Theater, “The True Heart” performance with Glen Velez, the VH-1 Fashion Awards with the group De La Guarda and the "Bright Lights, Broadway" Asian tour. She has been a member of the Brazilian groups The Sambistas and the Sambanditos, the new music ensemble Synchronia, the Swing of Hearts Jazz Orchestra, the Bach Society, and been the percussionist/drummer for blues, rock and pop bands, including vibraphonist for Champale and drummer for Hazmat Modine and RED. Elstner has performed live with artists such as David Garza and Pizzicato Five, and recorded/played on many records including those of Champale, Clem Snide and Kill Henry Sugar.
Michael Karpowicz, woodwind methods
Adjunct Professor of Woodwinds and Chamber Music
Michael Karpowicz, Saxophone and Woodwinds, received the Bachelor of Music Education and Master of Music Performance from Southern Illinois University–Edwardsville, where he received a Downbeat Award as Outstanding Jazz Soloist.
He has performed with the Sessions Big Band, Kim Portnoy Big Band, St. Louis Jazz Orchestra, Jim Widner Big Band and the St. Louis Symphony Orchestra. He has been a member of the Fox Theatre Orchestra and the Muny Opera Orchestra for more than twenty years, and for the St. Louis Repertory Theatre at Webster University. He has performed with Louie Bellson, Jon Faddis, Rob McConnell, Clark Terry, Lew Tabackin, Toshiko Akiyoshi, Nick Brignola, Bobby Shew, Mel Torme, Michel LeGrand, Dave Pietro and Conrad Herwig. He has also performed with artists such as Henry Mancini, Johnny Mathis, Lou Rawls, The Four Tops, The Temptations, The Manhattan Transfer, Sammy Davis Jr., Natalie Cole, Barry Manilow, Bernadette Peters, Julie Andrews, Tony Bennett and Aretha Franklin. He has served as a faculty member for the International Summer Jazz Academy in Poland, the Webster Summer Jazz Camp, the Southern Illinois University Summer Jazz Camp, and the Musicians Association of St. Louis Summer Music Workshop.
Karpowicz has appeared on many commercial recordings and two nationally televised ABC television specials. He is director of bands at DeSmet Jesuit High School.
Sara Wichard, elementary music education methods
Adjunct Professor of Music Education
Sara Wichard, PhD, is currently a general music teacher, the elementary music coordinator and co-chair of the Professional Development Committee in the Webster Groves School District. She teaches students in grades K-5.
Wichard has been teaching general music for 20 years, in both the Saint Louis and Chicago areas. She received her undergraduate degree from DePaul University, her master's degree from Lindenwood University and doctoral degree from Maryville University. The focus of her dissertation was applying the philosophy of constructivism to her classrooms to provide for more student voice and choice in the learning that occurs in a general music classroom.
Wichard co-teaches Elementary Music Education Methods, working to bring Webster University students into the music classroom to learn with and alongside elementary students.
Carla Colletti
Professor and Chair, Director of Music Theory
David Werfelmann
Associate Professor and Director of Bachelor of Arts in Music
Melissa Bishop, theory
Adjunct Professor of Music Theory
Melissa Bishop received the Bachelor of Music in Composition from Webster University where she studied with Bob Chamberlin and Kim Portnoy. She received her Master of Music in Theory and Composition at Kansas State University where she studied with Hanley Jackson. Since 2002, her duties at Webster have included teaching varying levels of Theory and Musicianship, as well as songwriting. She currently serves as the director for School of the Arts in St. Louis County and writes for Six Hour Drive Publishing, a subsidiary of Brentwood-Benson Music Publishing. Her first cut was in the country market for an independent label entitled, “Wishing You Were Home.” She has had continued success in the Christian market in various genres including CCM/AC, Southern Gospel and print.
Leslie Allnatt Mallory, theory and musicianship
Adjunct Professor of Music Theory
Leslie Allnatt Mallory, soprano, has most recently been heard performing in oratorios such as Handel's Messiah, Dubois' Seven Last Words and Dan Forrest's Requiem for the Living. Other past oratorio credits include Saint-Saens' Christmas Oratorio, Vivaldi's Gloria and Faure's Requiem. She has also sung the roles of Frasquita in Bizet's Carmen, Barbarina in Mozart's Le nozze di Figaro and Mrs. Gleaton in Floyd's Susanna. She is also an experienced teacher, having taught Music History, Music Theory, Voice Lessons and Vocal Pedagogy and Literature at several universities in the St. Louis area. She continues to teach at Lindenwood University, University of Missouri-St. Louis and has recently joined the adjunct faculty at Webster University. She holds a Bachelor of Music degree from Morehead State University, a Master of Music degree from the University of Louisville and a Doctor of Musical Arts degree from the University of Iowa.
Heather Nehre, history
Adjunct Professor of Music History
Heather Nehre graduated with a BM in piano performance from Wartburg College (Iowa) and completed her graduate work at Washington University in St. Louis. While at Washington University, Nehre was active in student government where she served as co-president of the Graduate Student Senate, the student governing body of the Graduate School of Arts & Sciences. She was also named the student chair of the National Conference on Graduate Student Leadership, which was held in St. Louis and later presented the findings of this conference at the national meeting of the National Association of Graduate-Professional Students.
Nehre's research focuses on American Music of the 19th and early-20th centuries and includes an in-progress dissertation on the music of Amy Beach.
Matthew Pace, theory and musicianship
Adjunct Professor of Music Theory
Matt Pace is a composer, performer and educator deeply rooted in the St. Louis arts community. As co-founder and lead composer for the Rats & People Motion Picture Orchestra, his music has accompanied and supported narrative art in historical silent films, theatrical productions, museum installations and contemporary video since 2006.
Pace has taught musicianship, music theory and counterpoint as an adjunct at Webster and other local colleges and universities since he received his PhD from Washington University in 2012. As a teacher, Pace prefers a dynamic, interactive classroom where students are encouraged to develop their skills in a constructive environment conducive to the growth of critical skills and lifelong learning patterns.
Paul G. Davis
Associate Professor and Director of Instrumental Studies
Brass and Percussion
Erin Elstner, percussion
Adjunct Professor of Percussion
Erin Elstner, conductor, is an experienced percussion and drum set instructor who is currently the head of the Webster University percussion department. She teaches applied percussion lessons and instrumental percussion methods courses for the Webster University Department of Music. Elstner is also the conductor of the Webster University Percussion Ensemble. She received her BM in Percussion Performance at Mannes College of Music in New York (The New School University), her Music Education certification from the University of Missouri-St. Louis and her MA in Orchestral Conducting at Webster University, both of which she graduated summa cum laude with departmental honors. She has taught at the St. Louis Symphony Community Music School, the Third Street Music Settlement in Manhattan and Carnegie Hall in New York City, the Taichung School of Arts and Music in Taiwan, The Strike Institute, The Erin Elstner Percussion Studio, the Webster University Community Music School and at Maryville University. Elstner is also an active adjudicator and clinician in both Missouri and Illinois and has toured Europe with the Missouri Ambassadors of Music.
As a freelance performer, Elstner’s numerous performance achievements include playing drums and percussion for the International Women’s Brass Conference, the Joffrey Ballet, Cabaret at the Repertory Theater of St. Louis, Company at the Edison Theater, percussion with Peter Cetera of Chicago, the Grateful Dead reunion tour, Motown, Weird Al Yankovic, the Beach Boys, Ain't Too Proud Temptations at the Fox Theater, “The True Heart” performance with Glen Velez, the VH-1 Fashion Awards with De La Guarda, "Bright Lights, Broadway" Asian tour, The Who, Cirque Musica at the Hollywood Amphitheatre and A Funny Thing Happened on the Way to the Forum, The Wiz, Jerome Robbins' Broadway, Mary Poppins, Sweeney Todd, Legally Blonde and Joseph at the Muny. She has been a member of the Brazilian groups The Sambistas and the Sambanditos, the new music ensemble Synchronia, the Swing of Hearts Jazz Orchestra, the Bach Society, and been the percussionist/drummer for blues, rock and pop bands, including vibraphonist for Champale and drummer for Hazmat Modine and RED. Elstner has performed live with artists such as David Garza and Pizzicato Five and recorded/played on many records including those of Champale, Clem Snide and Kill Henry Sugar.
Elstner is endorsed by the Zildjian Cymbal Company and Canopus Drums.
Tricia Jöstlein, horn
Adjunct Professor of Horn
Tricia Jöstlein is the Adjunct Professor of Horn at Webster University in Saint Louis. She previously held posts as principal horn of the Omaha Symphony and the Des Moines Metro Opera Orchestra, as well as positions with the Honolulu and Richmond Symphony Orchestras. For the past several years, she has performed as principal horn of the Heartland Festival Orchestra in Washington, Ill.
Locally, Jöstlein frequently plays as an extra musician with the St. Louis Symphony. She has also appeared with Chamber Project St. Louis, Winter Opera, the Webster Symphony and Webster Chamber Orchestra, and as a soloist with the Alton Symphony. She has played at the Tanglewood, Sarasota, National Repertory Orchestra, AIMS in Graz and Pierre Monteoux Music Festivals. For the past eight summers she and her husband, Thomas, have performed with the Britt Festival Orchestra in Jacksonville, Oregon.
Jöstlein studied with William VerMeulen at Rice University, earning a Bachelor of Music degree (cum laude), followed by graduate studies at the University of Michigan.
Strings
Nicolae Bica, violin
Adjunct Professor of Violin
Born into a family of musicians, Romanian violinist Nicolae Lucian Bica started his violin studies in his native town, Brasov, at the age of six with Ilarion I. Galati. In 1988 he continued his studies at the George Enescu Music High School in Bucharest with Carmen Runceanu and Stefan Gheorgiu.
Bica won first prize in several major youth competitions in Romania. In 1990, he won Fourth Prize at the Kloster Schontal International Violin Competition (Germany), with a special award for performing a virtuoso piece. In 1992, he won the First Prize at the Romania International Violin Competition. He was also awarded a scholarship at the summer music festival in Santiago de Compostela, Spain.
During the 1991-1992 season, Bica performed extensively as soloist with major orchestras and in solo recitals in Romania. During the 1992-1993 academic year he was awarded a scholarship to study with Joseph Fuchs at the Juilliard School of Music.
Bica has been a top prize winner at the 1996 National Society of Arts and Letters Violin Competition, the Boca Symphonic Pops scholarship awards and semifinalist in the 1996 Tunbridge Wells International Young Concert Artist Competition (England). He appeared twice as soloist with the Harid Philarmonia as winner of the Harid Concerto Competition.
During the summers of 1995 and 1996, Bica performed with national orchestras in Romania and Austria, including appearances as soloist with the Romanian National Radio Orchestra, the George Dima Philharmonic in Brasov, and a solo recital organized and hosted by the President of Romania, Ion Iliescu.
After receiving his Bachelor of Music degree and the Professional Studies diploma from the Harid Conservatory, Bica was awarded a scholarship from the Budder Foundation to continue his studies at Webster University under the watchful eyes of the Concertmaster and the Principal Second Violin of the St. Louis Symphony, David Halen and Alison Harney, respectively.
Since the 2001 season, Bica has been a full-time member of the St. Louis Symphony and part of the Webster University Department of Music faculty since 2013.
Deyan Bratic, guitar
Adjunct Professor of Classical Guitar
Deyan Bratic is as passionate about his commitment for teaching as he is as a performer, author, and transcriber. He earned his Bachelor of Arts and Masters in Music Performance degrees from Webster University, studying classical guitar under John McClellan. He has penned innumerable transcriptions for magazines such as Fingerstyle Guitar (now Fingerstyle 360) and Mel Bay Publications. He is also a published author with four highly successful books to his credit, including the critically acclaimed, best-selling Chet Atkins In Three Dimensions volumes, as well as the definitive biography on legendary Argentine composer/guitarist Jorge Morel. As a musician, he has performed to countless audiences locally in his native St. Louis area and in various territories nationally and internationally. He is also an expert not only in the subtleties of classical guitar technique and flat-picking technique, but also the fingerstyle techniques of Chet Atkins, Jerry Reed and Lenny Breau.
Erik Harris, bass
Adjunct Professor of Bass
Born in New York City and raised in Fort Lauderdale, Florida, Erik Harris began his
musical studies on guitar at age 5 and switched to double bass at age 13. Harris attended
the Juilliard School on a full scholarship, where he studied with noted double bass
pedagogue Homer Mensch.
While at Juilliard he won the double bass concerto competition and performed as soloist
with the Juilliard Symphony. He went on to receive both his bachelor's and master's
degrees from Juilliard, and, in 2005, was recognized as one their 100 most notable
alumni in honor of the school's 100th anniversary. Upon graduation, Harris served
as principal bass with the New World Symphony in Miami, Fla. during its inaugural
season in 1988. The following year, at age 23, Harris was invited by Sir Georg Solti
to join the Chicago Symphony.
In 1993, Harris was appointed principal double bass of the St. Louis Symphony Orchestra by Music Director Leonard Slatkin. As soloist, he performed the Vanhal Bass Concerto with the SLSO in 2011 with Nicholas McGegan conducting and, in 2015 he gave the American premiere of Tan Dun's Concerto for Contrabass and Orchestra “The Wolf” with Music Director David Robertson conducting. Harris regularly performs in chamber music groups throughout the St. Louis region and has performed at the Missouri Chamber Music Festival, the Innsbrook Festival, the Missouri River Festival of the Arts and with the Arianna String Quartet. An avid teacher, he has taught master classes at the Manhattan School of Music, New World Symphony and the Juilliard School, and currently serves on the faculty of Webster University.
In whatever spare time he has, Harris enjoys cooking, gardening and home remodeling, and recently earned his black belt in Tae Kwon Do.
He performs on a double bass made by Johannes Gagliano in 1804.
Ken Kulosa, cello
Adjunct Professor of Cello
A native of Albuquerque, Ken Kulosa moved to St. Louis thirteen years ago at the invitation of the St. Louis Symphony. Kulosa came to St. Louis from Chicago where he played with the Chicago Symphony, the Grant Park Symphony and the Chicago Chamber Musicians. At the same time, he held the post of principal cellist for both the South Bend and Northwest Indiana Symphonies.
A graduate of the New England Conservatory and the University of Houston, Kulosa studied with Laurence Lesser and Hans Jorgen Jensen, later becoming Jensen's assistant at Northwestern University. An active pedagogue as well as performer, Kulosa is in great demand as a private teacher and in 2003 the Missouri Chapter of the American String Teachers Association named him their Artist/Teacher of the Year. He is active as a chamber musician throughout the St. Louis area with the St. Louis Symphony's Community Partnership program, the Pulitzer Foundation, and as a member of the Sheldon Concert Hall's education series resident piano trio. Passionate about period performance, Kulosa is currently a member of the Kingsbury Early Music Ensemble and frequently performs music from the baroque and classical period on period instruments.
Anna Lackshewitz, viola
Adjunct Professor of Viola
Woodwinds
Jennifer Gartley, flute
Adjunct Professor of Flute
Jennifer Gartley, DMA, was born in Maine and grew up on the Isle of Palms, South Carolina along the barrier islands of the Carolina coast. She graduated with the Doctor of Musical Arts degree from the University of Illinois at Urbana-Champaign with research focusing on contemporary piccolo literature. She counts Jonathan Keeble, Mark Sparks, Katherine Kemler and Tacy Edwards among her most influential teachers. As an orchestral musician, Gartley has performed with the St. Louis Symphony Orchestra, Opera Theatre of Saint Louis, Sinfonia da Camera, Colorado Music Festival, Bach Society of St. Louis, Fox Theater, Baton Rouge Symphony Orchestra, Illinois Symphony and the Owensboro Symphony and served as the principal flutist for Winter Opera Saint Louis and Associate Faculty at McKendree University for over a decade. Additionally, Gartley is the artistic director and founding flutist of Chamber Project Saint Louis, an ensemble dedicated to the performance and commissioning of new and diverse voices in the chamber music field. Gartley also holds a teaching appointment at Washington University in St. Louis and leads their applied music division and artistic programming.
Michael Karpowicz, saxophone
Adjunct Professor of Woodwinds and Chamber Music
Michael Karpowicz, Saxophone and Woodwinds, received the Bachelor of Music Education and Master of Music Performance from Southern Illinois University–Edwardsville, where he received a Downbeat Award as Outstanding Jazz Soloist.
He has performed with the Sessions Big Band, Kim Portnoy Big Band, St. Louis Jazz Orchestra, Jim Widner Big Band and the St. Louis Symphony Orchestra. He has been a member of the Fox Theatre Orchestra and the Muny Opera Orchestra for more than twenty years, and for the St. Louis Repertory Theatre at Webster University. He has performed with Louie Bellson, Jon Faddis, Rob McConnell, Clark Terry, Lew Tabackin, Toshiko Akiyoshi, Nick Brignola, Bobby Shew, Mel Torme, Michel LeGrand, Dave Pietro, and Conrad Herwig. He has also performed with artists such as Henry Mancini, Johnny Mathis, Lou Rawls, The Four Tops, The Temptations, The Manhattan Transfer, Sammy Davis Jr., Natalie Cole, Barry Manilow, Bernadette Peters, Julie Andrews, Tony Bennett and Aretha Franklin. He has served as a faculty member for the International Summer Jazz Academy in Poland, the Webster Summer Jazz Camp, the Southern Illinois University Summer Jazz Camp and the Musicians Association of St. Louis Summer Music Workshop.
He has appeared on many commercial recordings and two nationally televised ABC Television Specials. He is director of bands at DeSmet Jesuit High School.
Eric Ring, bassoon
Adjunct Professor of Bassoon
Eric Ring, DMA, undertook his undergraduate studies at the University of Iowa, where he graduated with a BA in History and a BM in bassoon performance. His graduate education includes an MA degree in Bassoon Performance from Western Illinois University, and a Doctor of Musical Arts in Bassoon Performance and Pedagogy (with a Music Theory Pedagogy Minor) from the University of Iowa. His major professors include Ronald Tyree, Douglas Huff and Benjamin Coelho. Prior to his arrival at Webster, Ring was the third bassoonist/contrabassoonist with the Cedar Rapids Symphony. He has also performed with the Des Moines Metro Opera, the Waterloo-Cedar Falls Symphony, and the Nova Singers and is a former member of the Beaufort Chamber Orchestra and the Parris Island Marine Band.
Cathy Woelbling-Paul, oboe
Adjunct Professor of Oboe
Cathy Woelbling-Paul received her Bachelor of Music Education and Performance degree from Lindenwood University and her Masters of Music degree from Northern Illinois University. Currently she is an adjunct oboe professor at Webster University and Lindenwood University. She also teaches at the Webster University Community Music School and is an applied instructor in the Mehlville School District.
For several years, she has been the double reed judge for the All District High School Band competition. Woelbling-Paul has presented a double reed seminar at several schools in the St. Louis area and at the University of Louisiana at Hammond. Woelbling-Paul currently performs with the Alton (Illinois) Symphony, Gateway Festival Orchestra of St. Louis, St. Louis Wind Symphony, University City Symphony, Webster Symphony Orchestra and the Ballet Orchestra of St. Louis and is an active freelance musician having recently performed for Idina Menzel in the newly renovated Peabody Opera House in St. Louis.
Her professional experience has included principal oboe and soloist with the Haydn Festival Orchestra in Eisenstaedt, Austria performing throughout Austria and Hungary, American Wind Symphony of Pittsburgh (Pennsylvania), the Rockford (Illinois) Symphony, Illinois Chamber Orchestra, Illinois Symphony (Springfield), Mighty Mississippi Concert Band of St. Louis, Union Avenue Opera Orchestra, Winter Opera Orchestra, American Cantorei and the Bach Society of St. Louis and as a substitute player with the St. Louis Symphony, Fox Theater and Muny Opera orchestras. She performs chamber music with The Metro Piano Trio (oboe, bassoon and piano) and A Fifth Above Woodwind Quintet. In addition to her performance and teaching activities, Woelbling-Paul is district director for Mu Phi Epsilon, a professional music fraternity, serves on the board of directors for Gateway Festival Orchestra, is the personnel director for the Alton Symphony and is a successful grant writer for several of her performing groups.
Bennett Wood
Visiting Assistant Professor and Director of Jazz Studies
Kim Portnoy
Associate Professor and Director of Composition
Dave Black, jazz guitar, combo
Adjunct Professor of Jazz Studies
Dave Black teaches guitar and courses in popular music and jazz studies at Webster and is a modern dance accompanist at Washington University and the Center of Contemporary Arts. He received the Bachelor of Music in Jazz Studies from Webster and was voted Best Acoustic Guitarist (1996, 1997) and Best Solo Artist (1996) in the St. Louis Music Awards. Black is a very active freelance performer, teacher and arranger. He regularly performs as a solo artist and with Dangerous Kitchen and Brilliant Corners in St. Louis. He has also performed with artists including Fareed Haque, Richard “Groove” Holmes and Bucky Pizzarelli. He has two compact discs, “Alone & Together” and “Spirals,” both features Paul DeMarinis on saxophones. Black has also written works for several Mel Bay Publications.
Tom Byrne, jazz guitar, combo
Adjunct Professor of Jazz Studies
An active performer, educator and composer in the St. Louis region for over 30 years, Byrne is considered to be among the city's premiere jazz guitarists. He is currently a member of the Jazz faculty at Webster University where he has taught since 1998. He received both his Bachelor and Master of Music degrees in Jazz Performance from Webster University and teaches Jazz Guitar, Jazz Combo, Jazz Theory and Improvisation. During his undergraduate coursework he had the opportunity to study with guitar greats John Scofield, Lenny Breau, Gene Bertoncini and Mick Goodrick, thus gaining valuable musical insights which he eagerly shares with his students.
His performance credits include working with the St. Louis Symphony Orchestra and the Muny Orchestra as well as leading his own ensembles in concerts at the St. Louis Jazz Festival, the Whittaker Concert Series (Missouri Botanical Gardens), the Webster University Concert Series, Jazz at Holmes Lounge (Washington University), the Sheldon Concert Hall, Jazz at the Bistro and the Wildey Theater. Recording credits include the Tom Byrne Trio, the Yule Vibe Trio, Reggie & Mardra Thomas, and the Kim Portnoy Jazz Orchestra. Byrne continues to perform in the St. Louis region with his duos and trios, his group Have U Heard (dedicated to performing the music of Pat Metheny) and as a solo guitarist.
Kevin Gianino, jazz drums
Adjunct Professor of Jazz Percussion
A native of St. Louis, Missouri, Gianino attended St. Louis Community College, the University of Missouri-St. Louis and Webster University. He has served as a faculty member for the International Summer Jazz Academy in Poland, the Webster Summer Jazz Combo Camp, the Strike Institute and the Jim Widner Summer Jazz Camps. He has toured internationally and is in demand as guest artist, clinician, festival adjudicator and performer.
In addition to being on the Webster University Jazz faculty, he is also a member of the St. Charles Community College Jazz faculty, Brilliant Corners, The Dave Dickey Big Band, Jazz St. Louis Big Band and The Hard Bop Heritage Quintet.
Among the numerous artists and organizations with whom he has performed with are Michael Buble, Nancy Wilson, Diane Schuur, Idina Menzel, Christine Ebersole, Billy Stritch, Chris Potter, Billy Childs, Jon Faddis, Terry Gibbs, Rob McConnell, Bobby Shew, Clark Terry, Bob Newhart, Jay Leno, Don Rickles, The St. Louis Municipal Opera (Muny) and The St. Louis Symphony Orchestra.
Debby Lennon, jazz voice
Adjunct Professor of Voice
A member of the St. Louis Symphony Chorus for thirty-two seasons, Debby Lennon made her solo debut with the St. Louis Symphony Orchestra in the 1992 Carnegie Hall premiere of William Bolcom's "Songs of Innocence and Experience." The Boston Globe called her "brassily irresistible." From 1992-1999, Lennon recorded and performed with the nationally known a cappella group "Pieces of 8" of which she was a founding member.
Lennon is active in the St. Louis opera scene having performed in Winter Opera's 2012 production of La Boheme and with Union Avenue Opera (UAO) in their productions of Verdi's Un Ballo in Maschera and Puccini's Madama Butterfly. She played Annina in La Traviata and Giovanna in Rigoletto directed by Tim Ocel, and Mrs. Mullen in Carousel directed by Ken Page at UAO. She made her Opera Theater of St. Louis debut in the ensemble of Dialogues of the Carmelites.
She has been a featured soloist in performances of Mendelsohn's "A Midsummer Night's Dream," Vaughan Williams "Serenade to Music," "A July 4th Patriotic Celebration under the Gateway Arch" and "Disney Goes To The Movies, The Last 20 Years" with the St. Louis Symphony.
Lennon has performed several seasons at The Muny and most recently was a part of the 100th season playing the role of Dora Baily in Singing In The Rain. Lennon starred in Max and Louie's critically acclaimed 2016 production of Grey Gardens and won the Judy Award and Broadway World Award (St. Louis Division). She won back-to-back St. Louis Circle Awards for Best Actress in a Musical in 2016 for Grey Gardens and for Best Actress in a Comedy in 2017 for her portrayal of Florence Foster Jenkins in Souvenir, A Fantasia on the Life of Florence Foster Jenkins. Most recently, Lennon was seen in Max and Louie's one woman show, Love, Linda, The Life of Mrs. Cole Porter, directed by Ken Page.
Lennon has performed with Stages St. Louis, Insight Theater Company as well as performances in Avery Fisher Hall, Carnegie Hall and Powell Symphony Hall. She has been a featured soloist on many concert series events and recitals at The Sheldon, The Pulitzer, The Touhill, Jazz at the Bistro, Finale Music and Dining, and The Old Webster Jazz and Blues Festival. Her solo CD, "I'm All Smiles" was released in November 2005 to sold out audiences at Finale Music and Dining. Lennon is celebrating her 20th year as adjunct voice professor and director of the vocal jazz program at Webster University in St. Louis, Missouri. Lennon also serves at St. Joseph's Academy as vocal coach and maintains a private voice studio.
Carolbeth True, jazz piano
Adjunct Professor of Piano
Carolbeth True has been a very active member of the St. Louis musical community for many years. She is adjunct faculty at Webster University, teaching jazz and classical piano, accompanying Webster Jazz Singers, maintaining an extensive applied lesson student roster. She performs with Two Times True with son Dave True on drums, Larry Johnson (saxophones), Glen Smith (bass); The Carolbeth Group; The Randy Holmes Quintet; The Oikos Ensemble led by Reverend Cliff Aerie (saxophones); and Wind of the Spirit Praise Band at Webster Groves Christian Church.
True and Randy Holmes are original cast members of "The Jazz Story," a one-hour overview of jazz history at the Sheldon, now in its 22nd season. True has been the pianist for the MCDA All State Jazz Vocal ensemble for nine years, and rehearsal and orchestra pianist for Variety Children's Theatre's world-class fall musical production for ten years.
True received the Excellence in the Arts Award from the Arts and Education Council, the Riverfront Times and St. Louis Magazine's Best Jazz Artist Award, and the Citizen of the Year Award for Rock Hill, her home community. Two Times True has recently released "True Christmas," jazz stylings of traditional Christmas carols. She is heard on several CDs: "True," "Two Times True," Larry Johnson's "Circles" and "I'm Just Sayin'," and "I'm All Smiles" with vocalist Debby Lennon.
Visit Carolbeth's personal website
Willem von Hombracht, combo, jazz bass
Adjunct Professor of Jazz Studies
Willem von Hombracht teaches bass, directs combos and a bass ensemble, and performs with the faculty jazz ensemble. He studied at the Arnhem Conservatory of Music in the Netherlands, and privately with Buell Neidlinger and Charlie Haden. He has performed in orchestras, chamber groups, jazz, rock and blues bands.
Von Hombracht has over 30 years of experience in all jazz styles, and is in great demand as a bassist with groups ranging from traditional, to bebop, to free form improvisation. His performing credits include Billy Higgins, Andrew Hill, John Hicks, Howard Johnson, Herb Jeffries, Richie Cole, Bobby Shew and Don Preston. He is an inventive composer, drawing on a variety of elements in his works. He directs bass master classes and jazz/improvisation workshops in the U.S. and in Europe, and has been on the faculty of the International Summer Jazz Academy in Poland since 2001, where he was named artistic director in 2008.
Jeffrey Richard Carter
Professor and Director of Music Direction for Musical Theatre
Michael Horsley, piano
Adjunct Professor of Piano
Michael Horsley began his studies as a concert pianist studying in Louisville throughout his young adult life. He attended the prestigious summer Tanglewood Festival and continued his studies at the San Francisco Conservatory of Music. He worked in San Francisco as rehearsal pianist, vocal coach, musical director and conductor. In 1994, he began working as a music director at The Muny, where he conducted more than 50 productions. He was appointed music supervisor in 2013 and continues his work there every summer. Horsley is also on staff at the San Francisco Conservatory of Music working within the opera department where he musical directs the Broadway show each semester.
On Broadway he has played keyboards in the pit for several productions and conducted Chicago after touring the first national tour with Chita Rivera and Ben Vereen. Among his other notable national tours are White Christmas (for the past 10 years), Thoroughly Modern Millie, 42nd Street, Seven Brides For Seven Brothers, and Cinderella. Solo concerts include music directing and playing piano for Lee Roy Reams, Judy Kaye, Luci Arnaz, Shirley Jones, Karen Mason and Tovah Feldshuh. Vocal direction credits include Christmas Concert Series for the Detroit Symphony, National Symphony, and Birmingham Symphony Orchestras with maestro Jack Everly.
Nationally his work as a music director includes Kansas City Starlight, Theatrezone (Naples, Florida), Pioneer Theatre (Salt Lake City), Music Theatre Wichita, North Carolina Theatre, Paper Mill Playhouse (Milburn, New Jersey), Guthrie Theatre (Minneapolis) and Theatre Under The Stars (Houston). He spent six months in Tokyo creating and music directing the dance musical Bryant Park which played in Tokyo and Kobe.
Nina Ferrigno
Visiting Assistant Professor and Director of Keyboard Studies and Chamber Music
Tali Allen, musical theatre coach/accompanist
Lisa Campbell Albert, musical theatre coach/accompanist
Joseph Clegg, collaborative piano
Stephen Eros, collaborative piano
Stephen Eros graduated from Webster University with the degrees Master of Arts in Choral Conducting and Bachelor of Music in Organ Performance with departmental honors in music. As assistant conductor of the Webster University Choirs, he assisted in preparing small and large scale works for concerts, tours and for a choral pedagogy DVD published by GIA Publications. In addition to his primary studies with William Partridge and Trent Patterson, he studied voice with Robert Ayllón, jazz piano with Carolbeth True and collaborative piano with Joe Neske.
Eros has been the assistant conductor of the Bach Society of Saint Louis — St. Louis’s oldest continuing choral organization since 2013. He regularly conducts the Bach Society Chorus and Orchestra in performance and serves as music director for the annual gala and performances within the St. Louis Bach Festival.
Having worked in the field of sacred music for nearly two decades, Eros has held the position of director of liturgy and music at St. Clare of Assisi Catholic Church in O’Fallon, Illinois since 2015. He is responsible for the formation and training of over 400 volunteers and leads nearly 100 volunteer singers in the parish choir and two children’s choirs in a robust, diverse repertoire. On the diocesan level, he has served as organist and choirmaster for pontifical liturgies at the Cathedral of Saint Peter in Belleville. Collaborative piano engagements include work as a rehearsal and performance pianist for The Muny, The Repertory Theatre of St. Louis, and Union Avenue Opera.
Professional memberships include AFM Local 2-197, NPM, AGO, ACDA and Chorus America. Eros is a lifelong resident of Belleville, Illinois. He resides with his wife and four children in his grandparents’ former home, next door to his favorite neighbors, his parents.
David Erwin, organ
Adjunct Professor of Organ
David Erwin has been Minister of Music at Ladue Chapel Presbyterian Church in Ladue, Missouri, since 2005. Prior to that he held prestigious church appointments in Greenwich, Connecticut, and Alexandria, Virginia. He studied at Westminster Choir College in Princeton, New Jersey, where he received undergraduate and graduate degrees in Church Music. His principal organ professor was Joan Lippincott, with Joseph Flummerfelt for conducting. He studied interpretation of French organ music with Marie-Louise Langlais from the Conservatoire de Paris (CNR). He has been heard in recital throughout the United States and France, conducted choirs at the Kennedy Center, in England and France, and his solo organ performances have been heard on the radio programs "Pipedreams" and "King of Instruments."
Matthew Galik, Webster Jazz Singers accompanist
Sandra Geary, Opera Studio accompanist and coach
A native of Ireland, Sandra Geary received piano performance diplomas from the Royal College of Music; Trinity College, London, England; the Cork School of Music, Ireland; and a bachelor's degree in Music from the Saint Louis Conservatory of Music where she studied with Joseph Kalichstein.
Geary is a member of the piano faculty of Washington University where she also accompanies the chamber and concert choirs. She is a piano faculty member of Webster University's Community Music School and is the accompanist for the Bach Society of Saint Louis. She frequently accompanies for recitals, competitions and auditions and also for Opera Theatre of Saint Louis, Winter Opera and Union Avenue Opera.
Mieko Hironaka Bergt, collaborative piano
Adjunct Professor of Piano, collaborative piano
A native of Japan, Mieko Hironaka Bergt graduated from Toho Gakuen School of Music in Tokyo where she studied with Yoshimi Tamaki. Under the direction and encouragement of Jean-Yves Thibaudet, Hironaka Bergt continued advanced studies in France, studying with Lucette Descaves, Bruno Rigutto, Olivier Gardon and Eric Heidsieck.
While in France, Hironaka Bergt was awarded the Prize of Virtuosity, the Premier Prix at the Conservatoire National de Région de Rueil-Malmaison and at the Conservatoire Supérieur de Paris-CNR, first prize at the Claude Kahn Piano Competition, the Maurice Ravel Medal at the Académie Internationale de Musique Maurice Ravel in voice accompaniment and The France Lions Club’s Competition of Music Interpretation prize. Significant performances included Moments Musicaux at the Château de Champs, organized by the French Ministry of Culture.
Since moving to St. Louis, Missouri (USA), Hironaka Bergt has been winner of the prestigious Artist Presentation Society Award and is an established soloist and chamber musician, frequently performing with the American Kantorei Orchestra, the Arianna String Quartet and members of the St. Louis Symphony Orchestra.
Since 2019, Hironaka Bergt has been collaborating with violinist Takashi Aoki, the former concertmaster of the Tokyo Philharmonic Orchestra who now serves as concertmaster of The Orchestra Japan. Aoki and Hironaka Bergt have recorded a CD which will be released in spring 2022 in Japan.
In addition to performing as coach and pianist for the University of Missouri-St. Louis, Hironaka Bergt is on the teaching and collaborative piano faculty for the Department of Music at Webster University.
Caroline Hixson, piano
Adjunct Professor of Piano
Caroline Hixson holds a BM in Piano Performance, Webster University (2004) and an MM in Piano Pedagogy and Performance Studies, University of Idaho (2008). Hixson previously lived in New Orleans where she worked at Loyola University, accompanying college and preparatory ballet classes and teaching private and class piano in the preparatory piano division.
Hixson joined the piano faculty at Webster University in 2014 and serves an an applied piano instructor and collaborative pianist. She is also an active collaborative pianist in the St. Louis area and maintains a private studio.
Visit the Hixson Piano website
Michael Horsley, piano
Adjunct Professor of Piano
Michael Horsley began his studies as a concert pianist studying in Louisville throughout his young adult life. He attended the prestigious summer Tanglewood Festival and continued his studies at the San Francisco Conservatory of Music. He worked in San Francisco as rehearsal pianist, vocal coach, musical director and conductor. In 1994, he began working as a music director at The Muny, where he conducted more than 50 productions. He was appointed music supervisor in 2013 and continues his work there every summer.
Horsley is also on staff at the San Francisco Conservatory of Music working within the opera department where he musical directs the Broadway show each semester. On Broadway he has played keyboards in the pit for several productions and conducted Chicago after touring the first national tour with Chita Rivera and Ben Vereen. Among his other notable national tours are White Christmas (for the past 10 years), Thoroughly Modern Millie, 42nd Street, Seven Brides For Seven Brothers and Cinderella. Solo concerts include music directing and playing piano for Lee Roy Reams, Judy Kaye, Luci Arnaz, Shirley Jones, Karen Mason and Tovah Feldshuh. Vocal direction credits include Christmas concert series for the Detroit Symphony, National Symphony and Birmingham Symphony Orchestras with maestro Jack Everly.
Nationally his work as a music director includes Kansas City Starlight, Theatrezone (Naples, Florida), Pioneer Theatre (Salt Lake City), Music Theatre Wichita, North Carolina Theatre, Paper Mill Playhouse (Milburn, New Jersey), Guthrie Theatre (Minneapolis) and Theatre Under The Stars (Houston). He spent six months in Tokyo creating and music directing the dance musical Bryant Park which played in Tokyo and Kobe.
Nate Jackson, collaborative piano
Susan Martin, piano
Adjunct Professor of Piano
Susan Martin joined the piano faculty of Webster University in 1990. She teaches Applied Piano, Beginning Class Piano and Intermediate Class Piano. She is also on the faculty of the Webster University summer Classical Piano Camp.
As an undergraduate, Martin studied piano with professor Mary Mottl at Saint Louis University, earning the Bachelor of Arts in Music. She graduated from the University of Illinois at Urbana-Champaign with a Master of Music in Piano Performance. Her teachers there included Kenneth Drake and Ian Hobson.
Professional affiliations include the Music Teachers National Association, the St. Louis Area Music Teachers Association, the National Federation of Music Clubs and the National Association of Pastoral Musicians. Martin maintains a private piano studio for children and adult learners, is an adjunct professor of Piano at Saint Louis University and is director of wedding music and pianist at St. Francis Xavier College Church.
Nancy Mayo, piano, collaborative piano
Adjunct Professor of Piano and Collaborative Piano
Nancy Mayo is a collaborative and solo pianist. She has been a prize winner in several solo competitions, including the South Carolina Music Teachers Association (SCMTA), Music Teachers Southern Region Association, the Clara Wells Competition in Pittsburgh and the Columbia (S.C.) Philharmonic Young Artist Competition, which included a performance with the Columbia Philharmonic. After graduating summa cum laude with a BA and MA in piano performance from Bob Jones University, she worked as a repetiteur at the Columbia (South Carolina) Lyric Opera and Hamburgische Staatsoper (Germany), and also served as ballet and orchestral pianist at the Staatsoper and Hamburgische Philharmonic.
Mayo has taught at Newberry College, Columbia College and Columbia International University. In St. Louis, she has served as pianist for the Saint Louis Women's Chorale, Sheldon Chorale, and as an extra keyboardist with the St. Louis Symphony Orchestra. She is a vocal coach in the Opera Theatre of St. Louis Artists-in-Training program and repetiteur for the Opera Theatre of St. Louis Festival, Union Avenue Opera and Winter Opera St. Louis. In addition she serves as chorus master for Winter Opera St. Louis and rehearsal pianist for the Muny. Mayo also maintains a private piano studio, and enjoys an active schedule as a coach, soloist and collaborator.
Ron McGowan, collaborative piano, musical theatre
Adjunct Professor of Collaborative Piano
Ron McGowan has a BA (cum laude) in Music History and Performance from Pomona College, Claremont and has studied with Peter Hewitt and Alan Boehmer in Los Angeles and with Stephen Sondheim in New York. McGowan has returned to his hometown of St. Louis after thirty years in Los Angeles, where he served as an accompanist for singers including Joanna Gleason, Dale Kristien, Susan Egan and John Raitt. He was resident accompanist for Musical Theater West, Fullerton Civic Light Opera, Remsen Bird Hillside Theater, South Coast Repertory Theater and the Pasadena Boys Choir and served as faculty instructor, staff accompanist and vocal coach for Cal State–Los Angeles, Occidental College, UC–Irvine and Pomona College, Claremont.
McGowan is currently a vocal coach for the Webster University's Sargent Conservatory of Theatre Arts and staff accompanist for the Webster University Department of Dance, as well as for the Center for Creative Arts (COCA) and Dance St. Louis. He also teaches piano at the Community Music School of Webster University and throughout the St. Louis area.
Charlie Mueller, collaborative piano
Charlie Mueller is a music director, educator and pianist who works throughout the St. Louis area. He is currently the education programs manager at The Muny, where he also serves as the music director and arranger for the Muny Teens. Mueller is also a collaborative pianist and adjunct faculty member at Webster University. He has served as a music director and arranger for many local theater companies and universities. He previously served as the director of Vocal Music at Christian Brothers College High School and the artistic director of Allegro, a vocal music company at COCA, where he has also served as a member of the vocal music faculty. Mueller received his BA from Saint Louis University in Communication and Music and then went on to receive his MA from Webster University in Choral Conducting.
Stephen Neale-Oestreicher, collaborative piano
Zach Neumann, collaborative piano
Carol Schmidt, piano
Adjunct Professor of Piano
Carol Schmidt, adjunct professor of Piano at Webster University, is a graduate of Webster University, having completed the MM in Jazz Studies/Piano Performance and the BM in Theory/Composition. At Webster University, she teaches classical piano and other music related courses, and she maintains a very active life as an educator, composer and musical director. Schmidt has served as director of the Webster Jazz Singers and as a faculty member for the International Summer Jazz Academy in Krakow, Poland. As a current faculty member of the Webster University Jazz Camp, she conducts piano master classes, performs with the Webster University Jazz faculty and directs a six-person combo.
Most recently, Schmidt was the creative and musical director/performer for the “The French Connection: Impressionist Music and Jazz,” as part of the Jazz at Webster concert series. The performances highlighted the influence of French Impressionist music on American Jazz composition, and featured six Webster pianists, including Daniel Schene and Kim Portnoy.
Schmidt is particularly interested in the music of Thelonious Monk, and has transcribed many of Monk's compositions and solos. Her composition, “Joie de Vivre,” composed as a homage to Thelonious Monk, was performed by Schmidt and her jazz trio, as part of the Concert Series, “The Faculty Composers Concert.” She was also featured on the Webster University Jazz CD, “Jazz Spoken Here, Volume Two” where she recorded “Four in One,” a Monk composition, as a duet with Paul DeMarinis, saxophonist and director of Jazz Studies.
Schmidt is very active in the St. Louis jazz and cabaret scenes, serving frequently as both musical director and musician/performer/composer. For many years, she was the performer/composer and co-leader of the award winning nationally touring group, Jasmine.
Carolbeth True, piano
Adjunct Professor of Piano
Carolbeth True has been a very active member of the St. Louis musical community for many years. She is adjunct faculty at Webster University, teaching jazz and classical piano, accompanying Webster Jazz Singers, maintaining an extensive applied lesson student roster. She performs with Two Times True with son Dave True on drums, Larry Johnson (saxophones), Glen Smith (bass); The Carolbeth Group; The Randy Holmes Quintet; The Oikos Ensemble led by Reverend Cliff Aerie (saxophones) and Wind of the Spirit Praise Band at Webster Groves Christian Church.
True and Randy Holmes are original cast members of "The Jazz Story," a one-hour overview of jazz history at the Sheldon, now in its 22nd season. Carolbeth has been the pianist for the MCDA All State Jazz Vocal ensemble for nine years and rehearsal and orchestra pianist for Variety Children's Theatre's world-class fall musical production for ten years.
True received the Excellence in the Arts Award from the Arts and Education Council; the Riverfront Times and St. Louis Magazine's Best Jazz Artist Award; and the Citizen of the Year Award for Rock Hill, her home community. Two Times True has recently released "True Christmas," jazz stylings of traditional Christmas carols. She is heard on several CDs: "True," "Two Times True," Larry Johnson's "Circles" and "I'm Just Sayin'" and "I'm All Smiles" with vocalist Debby Lennon.
Visit Carolbeth's personal website
Donna Bowen Vince, piano
Adjunct Professor of Piano
Donna Bowen Vince joined the piano faculty at Webster University in 1981 after returning from a year of study at L'ecole Normale de Musique in Paris, France. Her love of French music was influenced by former teacher Gail Delente at Webster University, but was sealed by Jules Gentil at L'ecole Normale. Through the Institute for Advanced Vocal Studies in Paris, France, Vince has also coached with highly esteemed vocal accompanists Noel Lee, Irene Aitoff and Dalton Baldwin. Acceptance to the 2010 Amalfi Coast Music Festival in Italy offered Vince the opportunity for private coachings and master classes with internationally renowned artists Luiz de Moura Castro, John Perry and Logan Skelton. Recent doctoral studies at the University of Kansas included work with Steven Spooner and Richard Reber.
Vince currently teaches piano, class piano, piano pedagogy and is collaborative pianist for the vocal and instrumental programs at Webster University. In 2000, Vince formed the professional piano duo, Duo Albireo, with colleague Patricia Eastman. They perform regularly in and around the St. Louis area. Together they direct the Webster University summer classical piano camps, and Autumn Piano Ensemble Festival.
Additional collaborative performances have included concerts at The Sheldon, KFUO radio broadcasts “Live from the Garden,” the Webster University Symphony Orchestra, the Webster University Concert Series, The Art Song Festival (Springfield, Missouri), the St. Louis Alliance Française Fête de la Musique and Salle Cortot (Paris, France).
In demand as a teacher, Vince maintains a private studio of all ages. Her students are often recipients of prestigious awards and are regularly accepted to leading university music programs. Many are currently building successful careers in music. Professional affiliations include the Music Teachers National Association, the St. Louis Area Music Teachers Association (currently serving as vice president of programs) and The National Federation of Music Clubs. Vince has presented workshops in Missouri and Illinois covering a broad range of topics in piano pedagogy and is a regular adjudicator for competitions and festivals.
Vince holds a Bachelor and Master of Music in Piano Performance and Pedagogy from Webster University. She is a Nationally Certified Teacher of Music (NCTM) through the Music Teachers National Association.
Jeffrey Richard Carter
Professor and Director of Music Direction for Musical Theatre
Jacob Lassetter
Professor and Director of Vocal Studies and Opera Studio
Robert Ayllón, voice, diction
Adjunct Professor of Voice
Elizabeth Ducey-Moss, voice
Adjunct Professor of Voice
Elizabeth Ducey-Moss, DMA, is an experienced voice teacher with over 15 years of teaching experience. She is adept in a variety of singing styles and techniques, including classical, musical theatre and commercial styles. Ducey-Moss is dedicated to helping students reach their vocal potential. Originally from Canada, she began her musical studies at Acadia University where she earned her Bachelor of Arts in Music. She holds a Master of Music degree from Binghamton University and a Doctor of Musical Arts degree from the University of Illinois. Committed to training the 21st century singer, Ducey-Moss completed additional training in 2017 at the CCM Vocal Pedagogy Institute at Shenandoah University. In addition to her role at Webster University, she serves in the Commercial Voice Program at Missouri Baptist University and previously served five years as assistant professor of Voice at McMurry University.
Performance credits include leading roles in The Magic Flute, Così Fan Tutte, Don Giovanni, Les Contes d'Hoffmann, Hänsel und Gretel, The King and I, Amahl and the Night Visitors, Beethoven's Missa Solemnis, Brahm's Ein Deutches Requiem, Mendelssohn's Elijah and Mozart's Requiem. Ducey-Moss has been a national semi-finalist in the NATSA Competition, the Louis Alba Aria Competition, and a finalist in the American Prize in Voice. She has been a featured artist presenter in the Heavenly Rest Chamber Music Concert Series, the Rocky Mountain Region College Music Society Conference and in the Artist Series of the Texoma Region National Association of Teachers of Singing Conference. She performs regularly with the St. Louis Symphony Chorus and continually seeks to expand and diversify her repertoire by performing a variety of programs from new music to chamber and oratorio works. Ducey-Moss is a member of the National Association of Teachers of Singing and an honorary member of Sigma Alpha Iota International Music Fraternity.
Karen Kanakis, voice, opera
Adjunct Professor of Voice
Soprano Karen Kanakis, DMA, is hailed for her fine vocal technique and dramatic flair. Her bright-timbered, powerful voice conveys rich emotion, displays brilliant agility and soars to a thrilling high extension, making her ideal in both the bel canto repertoire and that of the Italian spinto soprano. Critics have called her singing “strong and smoothly superb,” “drop-dead gorgeous,” and “engaging,” and said she “lights up the stage ... timing and expressions were priceless” and “her voice and her stage presence are a delight.” Of her 2020 role debut as Minnie in La Fanciulla del West, critics said “her powerful voice easily penetrates the incredible wall of sound generated by the orchestra.”
In 2022, Kanakis returned to the stage at Union Avenue Opera as Alice Ford in Falstaff and made her role debut as Magda in Puccini’s La Rondine with Winter Opera St. Louis. Her portrayal of Magda earned her a second nomination for "Outstanding Achievement in Opera" from The St. Louis Theatre Circle, having previously been nominated in 2020 for her turn as Minnie in La Fanciulla del West.
Previous seasons have included the title role in Puccini’s Suor Angelica and Rosalinde in Die Fledermaus, both with Winter Opera St. Louis, the soprano soloist in the Verdi Requiem with The Missouri Symphony, Anna in Nabucco with Union Avenue Opera, the soprano soloist in The Missouri Symphony annual holiday concert, “A Symphony of Toys,” and a series of recitals in Missouri and Illinois sponsored by St. Louis Art Song. Additional operatic credits include Giorgetta in Il tabarro, Donna Elvira in Don Giovanni, Countess Almaviva in Le nozze di Figaro and Violetta in La traviata.
Kanakis has been a featured soloist with symphony organizations performing the Verdi Requiem, Mendelssohn’s Elijah, Brahms’ Ein Deutches Requiem, Haydn’s Lord Nelson Mass, Handel’s Messiah, both the Mozart and Fauré Requiem and Orff’s Carmina Burana. She is a frequently sought-after solo recitalist and made her Carnegie Hall debut in the Weill Recital Hall performing a joint program with her husband, baritone Jacob Lassetter.
Currently, Kanakis teaches voice and serves as vocal coach for the Opera Studio at Webster University, teaches voice and is the interim director of Opera Workshop at University of Missouri-St. Louis, teaches for Opera Theatre of Saint Louis' Artists-in-Training program, and maintains a private studio teaching aspiring and current professional classical singers. Her students frequently win competitions, attend top graduate schools for voice and opera performance, and enjoy successful professional singing careers.
In competitions, Kanakis has produced district and regional winners, a national semi-finalist in the Metropolitan Opera National Council Auditions, and finalists and winners of other competitions, including the Licia Albanese-Puccini Foundation, The Richard Tucker Foundation, Queen Sonja International Music Competition (Norway), Palm Beach Opera Competition and the American Institute of Vocal Studies Meistersinger Competition (Graz, Austria).
Her students have appeared in young artist programs and on the mainstage with the Metropolitan Opera, Santa Fe Opera, The Lyric Opera of Chicago, Glyndebourne Opera, Glimmerglass Opera, Wolftrap Opera, Seattle Opera and Opera Theatre of Saint Louis. Two of her former students (Emily Fons, mezzo-soprano and Andrew Stenson, tenor) were featured on the October 2015 cover of Opera News magazine as two of “Opera’s 25 Top Rising Stars.”
A recipient of the National Association of Teachers of Singing “Emerging Leaders” Award, she earned her DMA from the University of North Texas, her MM from Stephen F. Austin State University, and her BM cum laude from Missouri State University, where she studied viola and piano in addition to voice. As a Rotary International Ambassadorial Scholar, she studied abroad at the Staatliche Hochschule für Musik in Detmold, Germany.
Debby Lennon, voice
Adjunct Professor of Voice
A member of the St. Louis Symphony Chorus for 32 seasons, Debby Lennon made her solo debut with the St. Louis Symphony Orchestra in the 1992 Carnegie Hall premiere of William Bolcom's "Songs of Innocence and Experience." The Boston Globe called her "brassily irresistible." From 1992-1999, Lennon recorded and performed with the nationally known a cappella group "Pieces of 8" of which she was a founding member.
Lennon is active in the St. Louis opera scene having performed in Winter Opera's 2012 production of La Boheme, and with Union Avenue Opera (UAO) in its productions of Verdi's Un Ballo in Maschera and Puccini's Madama Butterfly. She played Annina in La Traviata and Giovanna in Rigoletto, directed by Tim Ocel, and Mrs. Mullen in Carousel, directed by Ken Page at UAO. She made her Opera Theatre of Saint Louis debut in the ensemble of Dialogues of the Carmelites.
She has been a featured soloist in performances of Mendelsohn's "A Midsummer Night's Dream," Vaughan Williams "Serenade to Music," "A July 4th Patriotic Celebration under the Gateway Arch" and "Disney Goes To The Movies, The Last 20 Years" with the St. Louis Symphony.
Lennon has performed several seasons at The Muny and most recently was a part of the 100th season playing the role of Dora Baily in Singing In The Rain. Lennon starred in Max and Louie's critically acclaimed 2016 production of Grey Gardens and won the Judy Award and Broadway World Award (St. Louis Division). She won back-to-back St. Louis Circle Awards for Best Actress in a Musical in 2016 for Grey Gardens and for Best Actress in a Comedy in 2017 for her portrayal of Florence Foster Jenkins in Souvenir, A Fantasia on the Life of Florence Foster Jenkins. Most recently, Lennon was seen in Max and Louie's one-woman show, Love, Linda, The Life of Mrs. Cole Porter, directed by Ken Page.
Lennon has performed with Stages St. Louis, Insight Theater Company as well as performances in Avery Fisher Hall, Carnegie Hall and Powell Symphony Hall. She has been a featured soloist on many concert series events and recitals at The Sheldon, The Pulitzer, The Touhill, Jazz at the Bistro, Finale Music and Dining, and The Old Webster Jazz and Blues Festival. Her solo CD, "I'm All Smiles" was released in November 2005 to sold-out audiences at Finale Music and Dining. Lennon is celebrating her 20th year as adjunct voice professor and director of the vocal jazz program at Webster University. She also serves at St. Joseph's Academy as vocal coach and maintains a private voice studio.
Jermaine Manor, voice
Adjunct Professor of Voice
Jermaine Manor enjoys a versatile career as an instructor of voice, a conductor and collaborative pianist. He is a native of Miami, Florida, a graduate of the prestigious New World School Of The Performing Arts and an alumnus of Auburn University where he earned his Bachelor of Music Degree in Vocal Pedagogy, as well as his Master of Music degree in Vocal Performance and Choral Conducting. He has also completed certifications in Commercial Music from Berklee College of Music and Church music from The Royal School of Church Music (Croydon, England).
As a former student of Juilliard School Of Music alumni Elisabeth Braden and Eric Caldwell, Manor brings to his singing and voice instruction a special understanding of the way the voice and body works. This knowledge sets him apart in his ability to communicate pedagogically and artistically. As a singer, it has allowed him a large musical vocabulary and success across genres, from opera to jazz, classical, gospel, pop, folk and musical theatre.
In addition to his work at Webster University, Manor has many ties to the performing arts community in St. Louis and abroad. As the co-artistic director of the Vocal Company at COCA, he is able to shape, mentor and challenge the musical palettes of many young artists. He also has a solid working relationship with The Repertory and Opera Theatre of Saint Louis. He is often called to coach, create and work on various projects. From coaching a pianist in Noël Cowards' three-act play, “Private Lives,” to composing, arranging and recording original music for "James And The Giant Peach" and Edward Tulane for the The Reps ITC program.
As a clinician, Manor is often brought in to not only teach on vocal technique, pedagogy and health, but he is sought after to present on racial inclusion and diversity in the arts. He’s a strong proponent of diverse musical representation and believes you should not be put in a box based on your race. Music has no color, only styles, he says, “Sing what you want to sing, no matter what color you are.”
As an active composer, his music is sung regularly by ensembles throughout the United Stated and abroad. He has published and arranged many songs with his longtime friend and collaborator, Dr. Brandon Boyd. These compositions appear in the catalogs of Gentry Publications, Hinshaw Music Company, GIA and Kjos Music Press. He is member of Phi Mu Alpha Music Fraternity, Inc., American Choral Directors Association, National Association for Music Educators and National Association of Teachers Of Singing.
Manor lives by the mantra, “What I do is a get to, not a have to.”
Leann Schuering, voice, diction
Adjunct Professor of Voice
"Blessed with a voice that is lovely and rich" (St. Louis Post Dispatch), soprano Leann Schuering was highly praised for her 2018 turn as leading lady Josephine in Union Avenue Opera's H.M.S. Pinafore, a production that was "highlighted by [her] magnificent soprano" (Ladue News). Schuering has charmed audiences in a wide range of roles, from Don Giovanni's Zerlina, in which she "sailed through a refined performance with ease" (Ann Arbor News), to Zerbinetta in Strauss' Ariadne auf Naxos, in which she "consciously acted every single note she sang, finding some sort of meaning in each coloratura run written in the score. Her showstopper aria was astounding" ([art]seen).
Recent career highlights have included Vivaldi's Gloria with the St. Louis Symphony Orchestra, conducted by Nicholas McGegan; Miss Wordsworth in Union Avenue Opera's acclaimed 2017 production of Albert Herring starring Christine Brewer, for which Schuering was applauded for her "splendid work" (KDHX); Händel's Messiah with the Toledo Symphony Orchestra, the Great Lakes Chamber Orchestra and others; and two solo concerts at LOFTRecital in Minneapolis. Additional stage credits include The Queen of the Night (Die Zauberflöte), The Fairy Godmother (Cendrillon), Susanna (Le nozze di Figaro), Yum-Yum (The Mikado), Monica (The Medium), and Laurey (Oklahoma!).
In 2009, Schuering was awarded a Stern Fellowship to attend SongFest, the nation's premier art song festival, where she studied and performed with pianists Martin Katz, Margo Garrett and Graham Johnson and American composers Lori Laitman, Tom Cipullo, John Musto and Jake Heggie. In 2017 she was one of ten singers from across the country chosen to attend the Art Song Festival at Baldwin Wallace, and she continues to champion the performance of art song in her own community.
Schuering is a two-time district winner and third place regional winner of the Metropolitan Opera National Council Auditions. In 2013 she was awarded third place at the International Czech and Slovak Singing Competition in Montréal, and in 2014 she was an International Semi-Finalist at the Hans Gabor Belvedere Opera Competition in Düsseldorf.
Schuering has over eight years of teaching experience at the collegiate level, including Applied Voice, Opera Workshop, Diction and Vocal Literature. She has taught at Millikin University, the University of Michigan and the University of Illinois. Schuering enjoys teaching all styles of Applied Voice, including classical, musical theatre and commercial music. She has a Level I certification in Somatic Voicework and is a certified yoga instructor through the National Exercise Trainer's Association, and her teaching reflects a holistic, whole body approach. She holds a BA in Environmental Studies from the University of Chicago, an MM in Voice from the University of Illinois and a DMA in Voice from the University of Michigan.
Visit Schuering's personal website
Bachianas Brasileras No. 5 "Cantilena"
Joseph Marx "Nocturne"
Amanda Taylor, voice
Adjunct Professor of Voice
Bob Chamberlin
Emeritus Professor of Music Theory and Composition
A member of the Webster University faculty since 1973, he has also served as the director of academic advising, director of the London campus, and as acting dean of students. In 1974 he coordinated a festival of microtonal music, held at Webster University. Chamberlin earned degrees in theory and composition from St. Olaf College and Southern Illinois University at Carbondale, and completed additional studies at the University of Illinois at Urbana-Champaign. His principal composition instructors include Arthur Campbell, W. Alan Oldfield, Ben Johnston and Salvatore Martirano.
Chamberlin taught undergraduate and graduate courses in composition and music theory. He was the senior faculty member in the department. Chamberlin retired in May 2016.
His compositions include works for orchestra, wind ensemble, chamber ensembles, organ, chorus, dance, and incidental music for theatrical productions. He has received commissions from the Webster University Symphony Orchestra, Repertory Theatre of St. Louis, Mid America Dance Company, Tapsichore, Metro Theatre Company and the Band of Mid-America at Scott Air Force Base. In 1991, he was awarded a Creative Artists Project Grant from the Missouri Arts Council. Chamberlin has collaborated with artists including the University of Illinois Contemporary Chamber Players, Jerry Young, John McClellan, Jaroslav Vajda, Peter Mayer and Charles Glenn. His compositions have been performed throughout the United States and Canada, as well as in the Netherlands and Poland.
An active member of the American Guild of Organists, he is organist for Gethsemane Lutheran Church.
Paul DeMarinis
Emeritus Professor of Jazz Studies
Paul DeMarinis is a native of St. Louis. His early musical training included private study as a clarinetist with St. Louis Symphony members Carlos Camancho, Robert Coleman and Leland Munger. He then attended Indiana University and studied jazz improvisation extensively with the well-known jazz education pioneer David Baker while playing lead alto saxophone in the IU big band. During this time he also studied improvisation with famed saxophonist/educator Jamey Aebersold. He received his bachelor's and master's degrees in Jazz Studies from Webster University in 1982 and 1987.
He began teaching as an adjunct faculty member at Webster in 1980. By 1988, he was the full-time director of the Jazz Studies program. At Webster, he taught saxophone, jazz improvisation and jazz history, oversaw the ensemble and academic jazz program, coordinated the faculty jazz ensemble, and directed the Webster Jazz Series and the Webster Summer Jazz Camp.
He is a well-known performer, educator and clinician and has been active in the St. Louis jazz scene for over 35 years. He was co-founder of the original music cooperative Brilliant Corners which recorded for the MAX JAZZ label in 1997, and has written extensively for his own trio, quartet and sextet. A CD of his original jazz compositions, The Sun ... The Stars featuring his sextet and vocalist Debby Lennon, was released in 2009. He enjoys long-term musical relationships with the Kim Portnoy Jazz Orchestra and the St. Louis Jazz Orchestra and was a faculty member of Jamey Aebersold's Summer Jazz Workshops for 10 years. He has also been a faculty member of the International Summer Jazz Academy in Poland.
DeMarinis has a long association as a saxophonist with the St. Louis Symphony. In addition to many performances at Powell Hall, he has performed with the SLSO overseas and at New York's Carnegie Hall. He has performed with many jazz notables, including Count Basie Orchestra, Dave Liebman, Louie Bellson, Gary Foster and Bobby Shew. In a supportive role he has been a member of ensembles accompanying a wide range of popular artists including Tony Bennett, Aretha Franklin, Ray Charles, Nancy Wilson, Doc Severinsen, Johnny Mathis, Sammy Davis Jr., Gladys Knight, The Temptations and The Four Tops.
Listen to "Hope" from the 2009 CD release The Sun … The Stars (words and music by Paul DeMarinis).
Carole Gaspar
Emerita Professor of Voice
Professor Carole Gaspar is a graduate of Baylor University and Washington University. Her principal teachers were Leslie Chabay and Jennie Tourel.
Throughout her career, she has won many awards including the G.B. Dealy competition, the Irene Jordan scholarship, the Shreveport Symphony Orchestra competition, the Southwest and Midwest Regional Metropolitan Opera auditions, the St. Louis Artist Presentation award, the St. Louis Philharmonic competition, and the National Society of Arts and Letters award in Chicago. Following six months of study at the International Opera Studio in Zurich, Switzerland, she performed with the Essen (Germany) Opera Company, making her professional debut as Marcellina in Fidelio. Since joining the Webster faculty in 1975, Gaspar has earned seven diplomas from conservatories in Salzburg, Nice and Geneva for studies in the poetry and music of the German lied and the French melodie. Her teachers have included Erik Werba, Kim Borg, Dalton Baldwin and Gerard Souzay.
Gaspar has given numerous, highly acclaimed concerts in the St. Louis area and frequently collaborates with composers in premiering new works for solo voice. With a broad repertoire of 19th and 20th century songs, she has made an intensive study of the works of Brahms, Schoenberg, and other Viennese composers. She collaborated with Allen Carl Larson in many performances of works for voice and orchestra, and enjoyed an extensive career as a recitalist with pianist Daniel Schene.
In 1990, she founded the Institute for Advanced Vocal Studies in Paris, a summer program for professional level singers and pianists dedicated to studies of French vocal chamber music. In the fall of 2002, she organized a week-long workshop devoted to French vocal literature and the writings of Victor Hugo, bringing an international faculty of specialists to St. Louis.
Allen Carl Larson
Emeritus Conductor of the Webster University Symphony Orchestra and Professor Emeritus
of Music
Larson received his undergraduate degree at Park University in Kansas City, with his masters and doctoral degrees from Indiana University. His doctoral mentor was the renowned Bach scholar and score studies expert, Julius Herford.
Larson has held posts with the St. Joseph Symphony, the St. Joseph Youth Symphony and Nova Choralis, the Indiana University Choral Union and Chamber Singers, the Northland Symphony, and the Saint Louis Chamber Chorus. Larson for nine years was director of the choir at the First Unitarian Church of St. Louis. As a guest conductor, he has led performances with the St. Louis Symphony, the Webster Chamber Winds, the St. Louis Symphony chamber Ensemble, the Washington University Wind Ensemble and the Kansas City (KS) Civic Symphony. He has conducted performances with the Webster Opera Studio and Sargent Conservatory of Theatre Arts of The Magic Flute, Dido and Aeneas, The Marriage of Figaro, Fiddler on the Roof, Brigadoon, Carousel and others.
In 1996 he conducted the world premiere of Andrew York's concerto for two classical guitars and chamber orchestra, Word, at the Sheldon Concert Hall. Larson has conducted instrumental and vocal ensemble performances for the KFUO "Live from the Garden" series. he has presented clinics and workshops for high schools, colleges, and churches, and has served as the pre-concert lecturer for the St. Louis Symphony Orchestra. Twice during his tenure at Webster, he has served as chair of the Department of Music. Larson recently founded a new chorus in Saint Louis, the Sheldon Chorale. His final concerts with the Webster Symphony Orchestra were during the 2008–2009 school year.
Daniel Schene
Emeritus Professor of Keyboard Studies
Pianist Daniel Schene has long been known as a consummate artist and a superlative teacher. Having performed throughout the U.S., Canada, South America and Asia, concert-goers have come to admire his comprehensive musicianship and formidable technique.
After his debut at age fifteen with the Charlotte Symphony, Schene studied at the North Carolina School of the Arts with Rebecca Penneys, and subsequently at the Indiana University Jacobs School of Music with Gyorgy Sebok and Enrica Cavallo-Gulli. While at the University, he received the prestigious Joseph Battista Memorial Scholarship. Thereafter, he continued his studies at the Eastman School of Music with Ms. Penneys.
As a recitalist and concerto soloist, Schene has performed at numerous venues, including the Salle Cortot and the Teatro da Paz. Since 1983, he has given annual solo recitals at the University of Missouri-Columbia and Webster University, where he is currently director of Piano Studies. He also performs regularly at Indiana University's Summer Music Festival and many other music schools throughout the U.S. Recent appearances include Louisiana State University and the University of Missouri–Kansas City.
Known for his innovative programming, Schene is currently offering a recital of the Preludes of both Bach and Chopin and has performed the Chopin op. 25 Etudes with the Liszt Transcendental Etudes, Book II. With his extensive concerto repertoire, Schene has recently performed the Chopin F minor and Liszt E-Flat Concerti, in honor of their centenaries.
A passionate enthusiast of chamber music, Schene has collaborated with many fine artists, such as renowned cellist Zara Nelsova, violinist Denes Kovacs (Director of the Liszt Academy in Budapest), and St. Louis Symphony concertmasters Jacques Israelievitch and David Halen. He has been the duo partner of violinist Eva Szekely of the Esterhazy Quartet for 39 years. From 1988 to 2004, the duo appeared at the Festival Internacional da Musica da Camera do Para in Belem, Brazil and in many other venues throughout the country, most recently in 2008 and 2015. Additionally they have toured under the auspices of the United States Information Service. The Szekely-Schene Duo has also performed in Santiago, Concepcion, Vina del Mar and La Serena, Chile and throughout the U.S. Schene has also appeared with the Arianna String Quartet and was for many years the pianist of the Trio Americas and the Webster Trio.
Devoted to the music of our time, Schene has played works of Joan Tower, Libby Larsen, James Willey, Andrew List, Roberto Escobar and David Werfelmann, and has premiered and recorded numerous compositions. In demand as a teacher, Schene is professor of Music and director of Piano Studies at Webster University in St. Louis, where he teaches piano, piano literature and piano pedagogy. He is a founding faculty member of the Indiana University Summer academy and the Institute of Advanced Vocal Studies in Paris. Additionally, he has given guest master classes in France, Brazil and Taiwan, as well Louisiana State University, the University of Missouri-Columbia and the University of Denver's Lamont School of Music, among others.
Mr. Schene records for CRI and New World Records.
“A demonstration of exquisite pianism and musicianship.”
~St. Louis Post Dispatch
“More than anything else, it was the integrity of the interpretation that made the
performance so outstanding. Rarely has [Schubert] sounded so consistently meaningful”
~St. Louis Post Dispatch
“I consider Daniel Schene to be a splendid pianist, excellent ensemble player, fine
teacher and one of the finest all around musicians of [his] generation.”
~Joseph Gingold
Here are three studio performances from January 2012:
- Franz Liszt: "Sonetto 104 del Petrarca," from Years of Pilgrimage: Italy
- Serge Rachmaninoff: Prelude in B-Flat Major, Op. 23 No. 2
- Claude Debussy: "Reflets dans l'eau (Reflections in the Water)" from Images, Book I
Steve Schenkel
Emeritus Professor of Jazz Studies
A native of St. Louis, Steve Schenkel has been the "first call" guitarist in St. Louis for over 20 years. He performs regularly with the St. Louis Symphony, The Fox Theater Orchestra, The Muny Orchestra and The Repertory Theatre of St. Louis.
Steve is a graduate of Southern Illinois University-Edwardsville, Southern Illinois University-Carbondale. He received the PhD from Washington University, 1980 and the MA in Religion from Webster University. Schenkel founded the Jazz Studies program and the Jazz Concert Series at Webster University, where he has taught music, media and religion since 1980.
His music is heard nationally on the PBS program "Breaking Bread," as well as by millions of visitors each year in the multimedia show under the Gateway Arch. Schenkel has scored many PBS programs, including "KATY: Stories From the Trail," "Homefront," and "American Tower." Schenkel also wrote the theme music for the programs "In the Loop" and "StL Biz," as well as the logo music for KETC. Schenkel orchestrated the Ken Hensley CD Running Wild, and the children's musical A Modern Day Prodigal Son. He appears on the CD 1-2-3 with pianist Dave Venn, as well as collaborations with Dan Rubright, The Lone Wild Bird, What Wondrous Love and Whole New Light.
Visit Steve's personal website
Kendall Stallings
Emeritus Professor of Music Theory and Composition
Kendall Stallings holds a doctorate in musical composition and theory from Washington University in St. Louis and has been a member of the music faculty at Webster University since 1967, where he holds the rank of professor emeritus and where he has taught a wide range of graduate and undergraduate courses and has held important administrative posts. Employing vocal, instrumental, and electroacoustic media, he has composed concert, film and theatre music ranging from brief pieces for a single performer to much longer works for relatively large forces. His music has been heard in the concert hall, the theatre, on radio and television, and at music-friendly eating and drinking establishments.
Christine Brewer
Visiting Professor of Voice
Grammy® Award winning American soprano Christine Brewer's appearances in opera, concert and recital are marked with her own unique timbre, at once warm and brilliant, combined with a vibrant personality and emotional honesty reminiscent of the great sopranos of the past. Her range, golden tone, boundless power and control make her a favorite of the stage as well as a sought-after recording artist. At Webster University, Ms. Brewer teaches master classes each term and speaks annually in a popular lecture series.
On the opera stage, Brewer is highly regarded for her striking portrayal of the title role in Strauss's Ariadne auf Naxos, which she has performed with the Metropolitan Opera, Opéra de Lyon, Théâtre du Châtelet, the Santa Fe Opera, the English National Opera and the Opera Theater of St. Louis. Garnering critical acclaim with each role, Ms. Brewer has performed Wagner's Tristan und Isolde at the San Francisco Opera, Gluck's Alceste with the Santa Fe Opera, the Dyer's Wife in Strauss's Die Frau Ohne Schatten at the Lyric Opera of Chicago and the Paris Opera, and Lady Billows in Britten's Albert Herring at the Santa Fe Opera and in San Francisco. She is also celebrated for her work on lesser known operas such as the title roles in Gluck's Iphigénie en Tauride with the Edinburgh Festival, the Rio de Janeiro Opera, and Madrid Opera and Strauss's Die ägyptische Helena with the Santa Fe Opera.
A stunning recitalist, in addition to her many appearances at Carnegie and Wigmore Halls, Brewer has graced Lincoln Center's “Art of the Song” series at Alice Tully Hall. Other appearances include the Kennedy Center in Washington. D.C., Spivey Hall in Georgia, the Concertgebouw in Amsterdam and the Mondavi Center in California. Her unique voice has been featured at the Gilmore, Ravinia and Cleveland Art Song festivals.
Carla Colletti
Professor of Music, Department Chair, Director of Music Theory
Jacob Lassetter
Professor of Music, Associate Chair for Recruiting and Events Management, Director
of Vocal Studies and Opera Studio
David Werfelmann
Associate Professor of Music, Associate Chair for Curriculum and Assessment, Director
of Bachelor of Arts in Music
Jean Huber
Department Representative
Kim Torrence
Department Assistant
Department of Music News and Upcoming Events
![Faculty and Staff Highlights Banner](https://news.webster.edu/images/f-s-highlights-banner-23.jpg)
Faculty and Staff Highlights: Belo, Carter, Ford, Hoover, Rothenbuhler, Schuster, Stiles
August 14, 2024
![Headshot of Daniel Pesca](https://news.webster.edu/images/daniel-pesca-360-24.jpg)
Community Music School of Webster University Welcomes Daniel Pesca as 2024-25 Guest Composer
August 5, 2024
![Webster University Faculty and Staff Highlights Banner](https://news.webster.edu/images/f-s-highlights-banner-23.jpg)
Faculty and Staff Highlights: Carter, Curtis, Hoover, Kaiser, Li, Werfelmann
June 17, 2024